Monday, May 2, 2011

DEADMANSWAKE opening for In This Moment, May 7th, Barrington, IL!

Post #139 Hey there happy headbangers!
Don't miss a great night of metal music, Saturday May 7th at Penny Road Pub in Barrington, IL. Part of the "Hell Hath No Fury" Tour, featuring '...the hottest chicks in hard rock'! Doors open at 5:30 pm. In This Moment are the headliners, but several other bands are performing, including DEADMANSWAKE, this year's myspace-band reader's poll-winner. Also performing at this show: Losing Scarlet, last year's winner of the same reader's poll. Two poll-winning bands from Heavy Metal 107 performing at the same venue! This could be an historic night of metal music. DON'T MISS IT!







More info can be found at...




Friday, April 29, 2011

SAGE4-Graves

Post #138
SAGE4 is another female-fronted metal band on Chicago's local scene. They've been playing venues around the Chicago area, as well as travelling various states in the midwest as opportunity presents itself. Recently, they've been performing a series of acoustic sets at different Hot Topic locations. Currently working on new material, they are sure to be back on the local scene soon, ready to deliver top-notch live performances of their personal style of metal.

Their sound reminds me of a blend between gothic metal and alternative rock. Lead singer Tracey Sage delivers vocals with smooth melodies and heart-felt emotions while guitarist Mike Walsh develops intricate riffs and chord progressions on guitar. A tight rhythm section keeps the groove heavy for this band.

They have a full-length, self-produced album: Graves. It is available through their website for download, or on CD. Listening to Graves will give you the full effect of SAGE4. A myriad of guitar techniques are exhibited throughout this album. Lyrics are sung with true emotion, and they often reflect on issues you feel are personal and inspiring. Different songs bring comparrisons to mind, from Alice In Chains to Megadeth, Lacuna Coil to Metallica.

My favorite tracks on Graves:
-Steal My Thunder (Intro reminds me of Alice In Chains, then it gets heavy)
-Everyone's A Hypocrite (Fast, heavy, filled with angst. My favorite track!)
-Graves (Acoustic intro, heavy & melodic tune!)
-Am I Evil? (Drum intro reminds me of Megadeth's 'Trust'. One of the heaviest numbers on the album.)
-There (A slower, softer song. Lryics reverberate with mourning. Emotionally heavy.)
-Dream Eternal (Another slow-tempo number, at least at the beginning. A balanced mix of electric & acoustic guitars. A gothic-metal tune that is also a bit progressive-metal.)

Check out their website to download, or order your own copy of Graves today!
http://www.sage4.com/

Sunday, April 24, 2011

Slayer-Seasons In The Abyss (Spirit In Black)

Post#137

Poll Winner: Which song does not belong?

In last month's reader's poll I gave you six songs, all with the word 'black' in the title and asked you to figure out which one does not belong. There were 2 songs by Black Sabbath (one with Ozzy, one with Tony Martin), a Slayer song (Spirit In Black), a Dio song, an Ozzy Osbourne song, and a Tony Iommi song. The 'winner' this time was Slayer, since they were to only option where no band member had played on a Black Sabbath recording.

The song I chose, 'Spirit In Black', is from Slayer's monumental 1990 album Seasons In The Abyss. Last year, Slayer celebrated the 20th anniversary of 'Seasons' by performing it in it's entirety on the American Carnage Tour. I was lucky enough to attend one of those shows, but I'll review that concert a little later.

Today, I'm focusing on Seasons In The Abyss.

Many fans consider this album the last great album from Slayer's prime-years. It was a strong follow-up to 1988's South of Heaven, and closed the decade with a furious, thrashing consistency for Slayer. The album opens with the first 3 tracks blending together almost like a big medley. 'War Ensemble' kicks it off with a fast, thrashy, war-themed mosher. 'Blood Red' immediately continues with more lyrics depicting 'the massacre of innocent people'. Then we're hit with 'Spirit In Black', another Slayer classic, where the band again focus on horrific images of purgatory-esque suffering.

Never shy to look on the dark side of human nature, Slayer take you on several twists and turns through an often psychopathic psyche with the different tracks on this classic album. By this point in their career as one of the 'Big 4' pioneers in thrash metal, they had remained arguably more consistent than any of their peers.

Later in the 90's, metal would become less popular as grunge and alternative rock would rise in popularity. The effects this would have on veteran metal bands would differ from one artist to another, but Slayer would stay the course. Several years later metal began to rise again, and Slayer's contribution to its rejuvenation has remained significant to this day. But for now, take a moment to go back and appreciate one of the greatest albums from thrash-metal's golden era.

My personal recommendations from Seasons In The Abyss:
War Ensemble
Blood Red
Spirit In Black
Dead Skin Mask (a true favorite of mine. One of the darkest, most haunting melodies ever composed in metal!)
Skeletons of Society
Seasons in the Abyss

Monday, April 11, 2011

Hemoptysis Interview (& Red Cross link for Japan Disaster Relief)

Post #136
I recently corresponded with the members of Hemoptysis, from Tempe, AZ, for an interview-the first interview here at Heavy Metal 107. Band-leader Masaki Murashita and company shed some light on Hemoptysis' style, direction and influences, as well as offering some personal background on how they got into heavy music. I hope you find this interview helpful & entertaining. I may have more interviews with independent bands coming in future posts.

Here are my questions, and what Hemoptysis had to say:


HappyHeadbanger: In previous conversations, you had mentioned you have family in Japan. Were you born there? How long have you been in the States?




Masaki Murashita: Yes, I was born and raised in Japan. I left Japan when I was 15 to study English and I have been in the US since 2004.







HH: First, I'd like to ask how your family & friends in Japan are faring with the efforts to recover from the earthquake, tsunami, and nuclear crisis? My thoughts and prayers are going out to the whole country of Japan right now, and I'm sure I can say the same for many of this blog's readers.


MM: Thank you! My family is ok, but I was very shocked about this whole thing. However, Japanese people are strong and the victims are helping each other in this horrible situation to move forward instead of rioting, which is incredible. I am very proud of it. I truly hope things will settle down soon and everybody can get their lives back as soon as possible.


HH: Let me take a moment to give our readers a chance to help the victims of these terrible disasters in Japan. Please click the link below to give what you can through the Red Cross. Every little bit helps, even if its just $1. I know that over a thousand people have voted in reader's polls on this blog before, and if all of them donated just $1, that still adds up to a thousand dollars. That would make a difference to any person whose home, or entire village, was washed away by the tsunami.






HH: What was the first album you remember owning that made you love music?


MM: Metallica's 'Master of Puppets'. That was the beginning.


HH: What artist inspired you to play an instrument?


MM: Dave Mustaine. He inspired me to play Metal.


HH: What artists do you idolize?


MM: Megadeth, Marty Friedman, Jeff Loomis, Gary Holt, Jeff Waters, Jason Becker, to name a few.


HH: What band would you love to open for on a tour?


MM: Megadeth, Exodus, The Absence, DAATH, Carcass, to name a few.


Ryan Miller: Opeth, Meshuggah, Exodus, and Death Angel.








Sunao Arai: Anthrax, Machine Head, Korn.








Travis Thune: Slayer, Hypocrisy, Deicide, Cannibal Corpse, etc...







HH: I retain an eclectic taste in music, in spite of the Metal-centric nature of my blog. If you do as well, what is the most atypical style of music you truly appreciate?


MM: I do listen to many different types of music. There's so many, so I won't mention them all, but all types of music definitely inspire me. I'm learning every day.


HH: Your debut album, 'Misanthropic Slaughter', describes several pessimistic and negative views towards humanity and society. To what degree do the song themes and lyrics reflect your personal opinions and beliefs on the state of our world's politics and society?


MM: Each song was inspired by personal events. Travis and I both write lyrics for the band and each song has a special meaning to it. M.O.D. is the only song that might seem to be total fantasy, but the anger and revenge themes reflect our opinions and beliefs. I would say that the songs are 100% real when it comes to the emotion put into each song. The songs that involve murder are songs that were written when we felt like committing those acts, however we don't believe people should actually go out and kill other people, you know? The urge to kill and hurt other people is very strong sometimes, but we release that anger through songs because, ultimately, murder isn't worth throwing your life away.


HH: What is your favorite song to play live?


MM: M.O.D.

RM: Shadow of Death, the kids like the solo trade-offs.

TT: Blood Storm

SA: M.O.D.


HH: Any covers in your set? If not, is there one you would consider?


MM: Not as of now. I'm not a big fan of covers unless it's different and unique.


HH: Metal music is often viewed as rebellious music, and stereotypically teens grow to love this music while their parents despise and discourage it. Was this the case in your own adolescence, or was your family supportive of your decission to pursue a career with this style of music?


MM: My family is 100% supporting what I do and they are proud of it. Metal is the music that has passion and emotion. My parents never actually got into Metal before I introduced them to it, but now they actually appreciate Metal.


HH: Music seems to be moving perpetually towards the digital format. Do you think that full-album format of song collections will be completely replaced at some point?


MM: Maybe, but I know a lot of Metalheads prefer to have the physical copies (on CD) or vinyl, which I think is awesome because I'm one of those people who cares to see the artwork of the album. That's one of the decisions people have, to give it a shot and buy the CD or not. At the end of the day, an MP3 is just and MP3. The sound quality is nothing comparable to CD or Vinyl and you can't compare the experience of seeing the booklet and listening to the music with it.


HH: I totally agree! I was worried that it might be a generation-specific thing, but I'm glad to hear that Metalheads still prefer physical copies in some format. The artwork, lyrics, and photos of the band really complete the experience in my eyes as well. (An FYI to our readers; 'Misanthropic Slaughter' is available on CD, with full lyric booklet, band photos, and cool artwork! Visit Hemoptysis' website to order your copy: http://www.hemoptysismetal.com/)


HH: Who in Heavy Metal do you think is overrated or underrated?


MM: There are so many overrated and underrated bands out there. I wish labels would give those underrated bands a chance, give them tour support and get them some exposure because they deserve it.


HH: Any particular song or artist(s) you are really into at the moment?


MM: Sargon's debut album, 'In Contempt'. You really need to check them out.

RM: Since I've been learning slide guitar lately it's been a lot of Duane Allman, Ry Cooder, Elmore James, stuff like that.

TT: Sargon.

SA: Victor Wooten. He is an incredible fusion bassist.


HH: To wrap things up, here are a couple 'just-for-fun' questions.

What's your favorite movie?


MM: I honestly can't think of a favorite. I don't watch very many movies.

RM: The Exorcist.

TT: Tough to answer this one. Top three: Good Fellas, Pulp Fiction, Braveheart.

SA: I don't really watch movies often, so I don't know.

HH: I would probably say Seven, or Memento. I love thrillers with a good twist at the end.

How about a favorite book or author?


MM: I doon't have a favorite author but I did like Lords of Chaos by Michael Moyniham and Didrik Soderlind.

RM: The Stand and anything else by Stephen King.

TT: I don't read enough books to have a favorite.

SA: I don't read books.


HH: Myself, I consider Stephen King my favorite author (and The Stand is one of my top five from him), however I feel like mentioning Lamb: The Gospel According to Biff, Christ's Childhood Pal, by Christopher Moore as a recent favorite of mine. Great for a ton of laughs.


HH: Last question. Who is your favorite band, or what is your favorite album?


MM: Megadeth, The Absence, Izegrim, Sodom, Exodus, to name a few.

RM: Testament. Favorite band of all time.

TT: Favorite band: Slayer. Favorite album: Reign In Blood.

SA: Anthrax.


HH: My favorite... well, if you've been reading this blog, then you have some ideas of who my favorites are. Keep reading!


A very grateful 'thank-you' to Hemoptysis for this interview opportunity!

Friday, March 25, 2011

Duet/Guest Vocalist Poll Choices

Post #135
For this month's reader's poll, I'm making it a bit interactive with this post, where you can hear all the songs to compare, in case you're not familiar with them all already. Here you go!

Lita Ford with Ozzy Osbourne
Close My Eyes Forever
http://www.youtube.com/watch?v=Zy3fJ8Nmzywube.com/watch?v=Zy3fJ8Nmzyw

Megadeth with Cristina Scabbia
A Tout Le Monde (Set Me Free)
http://www.youtube.com/watch?v=Xn01nSG4cvU


Temple of the Dog featuring Eddie Vedder
Hunger Strike
http://www.youtube.com/watch?v=XjNjJR9jUGo

Guns N' Roses with Alice Cooper
The Garden
http://www.youtube.com/watch?v=-9e77IrHBswom/watch?v=-9e77IrHBswcom/watch?v=-9e77IrHBsw

Halford with Bruce Dickinson
One You Love to Hate
http://www.youtube.com/watch?v=cAQavq1CQ68om/watch?v=cAQavq1CQ68


Alice Cooper with Chris Cornell
Stolen Prayer

http://www.youtube.com/watch?v=tNqCsGRJHIE&feature=fvwrel


Corrosion of Conformity with James Hetfield

Man or Ash

http://www.youtube.com/watch?v=5D0ZRedeBDs

Thursday, March 24, 2011

Led Zeppelin-IV

Post #134 [Poll Winner: Favorite album from 1971]

1971 was an historic year for rock music. Iconic bands like The Who, Black Sabbath & Led Zeppelin were in their prime, and recording the best music of their careers. Several of the albums that topped the charts for hard-rock music that year, have become recordings of legendry status. Perhaps the most lengendary, the most iconic, and most associated album from 1971 is Led Zeppelin's untitled fourth album. Sometimes called 'Zoso', or more often, simply 'Led Zeppelin IV', this album contains several of their best known songs. In particular, the song 'Stairway to Heaven' (which has won a poll on this blog by itself) became such a keystone song for a whole generation. To this day, songs from Led Zeppelin IV are standard plays on any classic rock radio station. The influence that this collection of songs has had on rock and metal music is inmeasurable.
Here is the complete track list for this essential album:

-Black Dog

-Rock And Roll
-The Battle Of Evermore
-Stairway To Heaven
-Misty Mountain Hop
-Four Sticks
-Going to California
-When The Levee Breaks

Sunday, March 20, 2011

Strych9Hollow-Dying for a Dream

Post #133
Strych9Hollow are an independent metal band from St. Louis, Missouri whom I discovered on the Thrash and Burn 2009 tour. This tour featured a number of underground, hardcore & extreme metal bands, and was headlined by the melodic-death metal band Devildriver.

There were 3 stages with bands playing simultaneously. My friends and I migrated from one stage to another throughout the show. I first saw Strych9Hollow on one of these secondary stages. My ear caught on the heavy-yet-melodic riffs that were pumping out of the amps, while my eye was drawn to the frenzied, headbanging guitarist on stage right. They had a female guitarist that was tearing up the fretboard faster than she was headbanging (which was pretty fast!). The other guitarist delivered metalcore-style backing vocals, while their lead singer had a great ability to switch from melodic singing, to angst-driven screams. These guys (& gal), had all my favorite elements of metal music!

I made sure to grab a promotional sticker from the stage with their name & myspace website on it. Within days of the show, I was a regular listener on their myspace page, and began eagerly watching for a release date for a CD from them...

Their self-produced debut album is 'Dying For A Dream', and it was worth the wait! Hearing this band's official recording is a very satiating headbanger's experience. Their influences from hard-core metal to melodic, classic metal are apparent in their sound. Again, let me say that this is the kind of music I've been looking for! You could easily categorize them as melodic metalcore and they'd fit right in with the likes of Killswitch Engage, All That Remains, or August Burns Red. They are a talented bunch of song writers & musicians.

Though most of their songs are metalcore thrashers, they have a few melodic numbers that give 'Dying For a Dream' a balanced attack on your auditory senses. Fast or slow, Strych9Hollow's musical themes and lyrics tend to focus on the dark side of life, casting a haunting or melancholic tone with consistency.

So if you're looking for a fresh take on the melodic metalcore scene, with sound guitar work, good soloing, and balanced variety in vocals and songcraft, then Strych9Hollow may be the band you've been waiting for!

Here are my hand-picked favorites from Dying For A Dream:
-Art of Betrayal
-Beautiful Angst
-Schizophrenia
-Dying for a Dream
-Better Off Alone
-Death vs. the Escape Artist

Don't forget to visit their myspace page for streaming mp3's!
http://www.myspace.com/strych9hollow

Tuesday, March 15, 2011

Shadows Fall-Retribution

Post #132
I had heard of Shadows Fall a few years ago, but for some reason, never developed a true devotion to their music. I had picked up 'Of One Blood' on clearance, and was unimpressed. It seemed too 'death-metal' for my tastes at the time. I bit later I tried 'The War Within', which I also found used. I found this album much more appealing, but still wrote them off as a poor-man's Killswitch Engage. I listened to this CD a bit more than the previous one, but still lost interest after a week or two.


Then, in late '09, came the turning point when I scanned their newest album, Retribution, at a bookstore sampling station. I heard the intro track, 'The Path to Imminent Ruin', and was instantly hooked. My eyes widened at the difference I heard on this recording. Each track seemed like polished perfection compared to anything I had heard from them previously. I hesitated no further, and added this to my purchase.



For the next several weeks, listening to Retribution became a near daily ritual for me. This album had instantly become one of my favorite releases of the year. Shadows Fall can hit you with heavy, thrash style metal, but an instant later will slip into a clean melodic segment. Brian Fair's vocals can scream like metal-core, growl in a deeper near-death-metal style, or sing in classic melodic-style ranges. Again, some of these elements were present on their older releases, just not to the degree of quality that I hear on this release. Retribution seems to strike the perfect balance of elegance and brutality.

Not to be overlooked is the guitar soloing on this album. Lead guitarist, Jonathan Donias, tears up the fretboard with a classic, shredding guitar style that would make the likes of Marty Friedman, or Glenn Tipton jealous. To be honest, this is my favorite element of their sound. Each track I look forward to hearing what the guitar solos might have in store. The quality of guitar work on this album is enough that I want to eat my words from my previous comparison to Killswitch Engage, for I now feel that Shadows Fall are much better at the art of the guitar solo!


From the acoustic intro of 'The Path to Imminent Ruin', they fade into 'My Demise', one of the heaviest tracks on the album. From there it just gets more intense, as almost every track rips your eardrums with ferocious heavy riffs. They even have a cover of Bob Marley's 'War', but if it weren't for the lyrics, I wouldn't recognize it for the over-the-top intensity with which it is delivered! There are a couple tracks that do focus on the melodic side of Shadows Fall, 'The Taste of Fear' and 'Picture Perfect'. These songs really help make this album a complete, and well rounded metal experience.

If you've been on the fence about Shadows Fall as I have in years past, then I highly recommend listening to Retribution. They've raised the bar significantly on this album. Here are my suggestions to help guide you:
-The Path to Imminent Ruin
-My Demise
-Still I Rise
-War
-The Taste of Fear
-Picture Perfect
-Dead and Gone

http://shadowsfall.com/main/

Thursday, March 3, 2011

Losing Scarlet at Durty Nellies (1-29-10)

Post #131
You may recall my review of Losing Scarlet when they won the reader's poll for unsigned bands on myspace.com back in '09. Well, shortly after they won that poll, I had the pleasure of seeing one of their live shows, as they played a small venue in my area along with 4 or 5 other local bands. It was an excellent show!

The venue was Durty Nellie's in Palatine, IL. I made sure to arrive early so as not to miss Losing Scarlet, as they were scheduled as the opening act. While waiting for the show to start, I wandered around the floor and looked over some of the merchandise for sale. Besides Losing Scarlet, a few other bands had music for sale. I picked up a free sample from one of the bands (Inn Cinema). Then I got a drink and waited for the show to start...

Losing Scarlet came out and got the night rolling with 'On Display', one of my favorite tracks from their independent debut album. Scott Haith led out of the gates with the thrashy riff, then the band joined in, followed soon by Jodi Kell's emotional vocals. Having listened to their CD several times, I was pleased that I recognized most of the songs. They delivered near-flawless renditions of their recorded songs. As I have mentioned before, they're like a blend of Disturbed's heaviness, and vocals similar to Evanescence or Lacuna Coil.

They played a good long set of their self-described 'pretty metal'. Scott jamming out killer riffs on guitar, Petra Sith providing melodic bass-lines and backing vocals, Conor McCann drumming intensely, and Jodi singing lines that were sometimes sexy, and other times cathartic. Most of the songs were from their self-titled debut, but they had some surprises in store for me and the rest of the audience, as they played a number of new songs, presumably to be included on their upcoming second album 'Learning to Bleed'. One particular treat was their cover of Blondie's 'Call Me'. It turned out to be a real crowd-pleaser, and got more people active in the crowd.

They closed their set with 2 of their new songs, including one that has become the title track for their upcoming 2nd CD, 'Learning to Bleed'. I was a bit sad that their set was over already, but a great night of music was still in store. Next up was Inn Cinema, who played a bit more aggressive style of music, but still with catchy melodies. Other bands I recall were The Crossing, and Beyond the Red. A great night of music through and through.

1-29-10 Durty Nellie's Losing Scarlet setlist:
-On Display
-All I Am
-Left to Burn
-Shameless Prayer
-Call Me (Blondie cover)
-With This We Fight
-Shade of Hate
-Learning to Bleed
-Inclusions

Friday, February 25, 2011

The Beatles. Still an influence...

Post #130 [Poll Winner: Who do you prefer, The Beatles of The Rolling Stones?]
Heavy Metal is an ever-changing genre of rock-n-roll. The diversity of artists that can be included in 'metal' music is enormous. When, exactly, did bands stop calling their music 'Rock N' Roll' in favor of 'Heavy Metal'? The 80's? The 70's? The 60's? If you ask 5 different fans, you may get 5 different answers. Myself, I generally align with the opinion that credits Dave Davies of the Kinks as the progenitor of heavy rock and what would grow to become known as heavy metal when he slit the speaker cone of his amp to achieve the sound they displayed on their first hit single "You Really Got Me" in 1964.

What else was going on in 1964? Why, The British Invasion of course! In this past December's reader's poll, I pitted the 2 biggest bands from this era, The Rolling Stones and The Beatles, against each other and asked you to choose a favorite. The result was a bit more lop-sided than I anticipated, as The Beatles took the poll comfortably by a vote of 12 to 2 over their old contemporaries.

Don't doubt for a second that the Fab Four are still a relevant influence on today's heavy metal artists. Several big-time bands have covered their songs, but even more obvious is how many headbangers still cite The Beatles as a major influence in their decision to pursue a career in music.

As my recommended picks from The Beatles, who have such a prolific catalog to choose from, I'll simply share one of my favorite compilations of theirs: The Beatles 1.
-Love Me Do
-From Me To You
-She Loves You
-I Want to Hold Your Hand
-Can't Buy Me Love
-A Hard Day's Night
-I Feel Fine
-Eight Days a Week
-Ticket to Ride
-Help!
-Yesterday
-Day Tripper
-We Can Work It Out
-Paperback Writer
-Yellow Submarine
-Eleanor Rigby
-Penny Lane
-All You Need is Love
-Hello, Goodbye
-Lady Madonna
-Hey Jude
-Get Back
-Ballad of John and Yoko
-Something
-Come Together
-Let It Be
-The Long and Winding Road

Wednesday, February 23, 2011

Hemoptysis-Misanthropic Slaughter

Post #129
From the desolate plains of the Arizona desert come Hemoptysis, an independent death/thrash metal band with their full-length debut, 'Misanthropic Slaughter'. In early reviews they've been described as a fusion of death, thrash, and black metal, but if you ask them they simply call their style of metal 'Desertcore'. After hearing thier debut album, front to back, I might add 'melodic-death metal' or even 'Classic British metal' to the list of elements contained in their music. Either way, this band is poised to break down some walls between sub-genres of metal music.

The band's line-up for their debut: Masaki Murashita (rhythm and lead guitars & vocals), Ryan Miller (lead guitars, electric sitar), Travis Thune (drums), and Sunao Arai (bass guitar). Oh, and of course Vitis, the Demon of Corruption, or 'Temptor of the Holy', who graces the album cover as mascot.

Though I've honestly been hesitant to get into the 'death'-sub-genres of heavy metal, I must admit that Hemoptysis offer enough of a new take on it that I keep playing their CD in spite of my initial reservations. The vocal style is where Hemoptysis have people calling them 'death' (although their name & cover art probably help!), however it is the guitar-work that keeps me coming back for more; a furious hybrid of thrash-riffs and melodic, shredding guitar solos are present in almost every song. On top of the technical brilliance they display on guitar, drums & bass are black-metal style vocals that are more shrieked than growled. Maybe like Children of Bodom if you're looking for a comparisson, at least vocal-wise. Keep in mind, I'm not a regular listener of this sub-genre...

Misanthropic Slaughter is an album I would primarily categorize as thrash metal. The drumming is fast and technical, the guitar riffs are very heavy and construct strong melodies. The tempo varies from song-to-song, but is quite fast on the majority of the tracks. The guitar leads can shred pretty fast, but also display melodic passages up and down the fretboard, much like early metal pioneers like Iron Maiden. There are even a couple instances of clean guitars that set a meloncholic tone when implemented.

Overall, as I said before, it is the technically acomplished and diverse thrash guitar-work that I find raises this album's quality above the status-quo for a death-thrash crossover effort. It's also where I find satisfaction in the listening experience. But for those of you out there who genuinely appreciate death-metal, and appreciate when it incorporates melody & classic heavy metal, then you need to hear this band!

My personal recommendations from Misanthropic Slaughter:
-Misanthropic Slaughter (The title track kicks off this album with apt ferocity. Lyrics depicting graphic, and morbid varieties of murder & mayhem)
-Hopeless (Bass intro, great riffs, a clean guitar break-down segment that leads into a volley of guitar soloing between guitarists Ryan Miller & Masaki Murashita, capitulating with a barrage of blast-beat drumming, this song has a bit of everything!)
-M.O.D. (Lead guitar intro is classic shred! Reminds me a little of Iron Maiden's 'Wasted Years'. Then it turns into a total thrasher!)
-Impending Doom (Another classic-sounding riff that conjures recollections of Megadeth.)
-Shadow of Death (Another death/thrasher, with a bit of political themed lyrics. This song originally appeared on their EP, 'Who Needs a Shepherd', but is remixed here. They also have a video for it: http://www.youtube.com/watch?v=yKenWvu4sm8)
-Hadephobia (Clean intro gives this tune an ominous tone... before describing the nightmarish threat of being sent to Hades...)
-End of Sorrow (My absolute favorite song on this album! Again, features a clean-guitar intro, but more intricate than most of the other songs. Some keyboards can be heard in the background, and of course, killer guitar solos that exhibit masterful melodic themes.)

Misanthropic Slaughter is set to be released on March 8th, 2011.
You can pre-order the CD on the band's official website. Check it out for more info, merchandise, upcoming shows, etc...
http://www.hemoptysismetal.com/

Wednesday, February 2, 2011

Smash Corps-No Peace Until Tomorrow

Post #128
Smash Corps are an independent thrash/hardcore metal band from the Chicago area. No Peace Until Tomorrow is their 2nd full-length album, and 3rd release overall. If you're a fan of Disturbed, Pantera, or classic-80's thrash metal, then this band is worth checking out. Now for a closer look at No Peace Until Tomorrow...


This album starts off with 'Darkside of Truth', a good, heavy song with lyrics that show some social commentary on cynicism. The album just gets better from here on! Smash Corps tear into some heavy grooves that truely remind me of one of my all-time favorite bands: PANTERA. They are more about 'heavy' than 'speed' in their formula. They also know when to change things up a bit, as most songs feature good guitar solos and melodic break-downs.

No Peace Until Tomorrow offers you plenty of fist-pumping, headbanging, hardcore/thrash songs. Their influence from bands like Black Sabbath to Metallica, Pantera to Iron Maiden is clearly evident throughout. Vocalist Tim Smith has a voice that reminds me of Tool's Maynard James Keenan, but the delivery is more strict in the thrash/hardcore/groove-metal genre. Their strongest talent is probably their ability to deliver heavy-yet-melodic, infectiouos riffs.

Here are my annotated, personal recommendations from No Peace Until Tomorrow:
-Darkside of Truth (a slow, grinding thrasher, lyrics with a bit of social criticism, good guitar solos)
-Otherside (More of a straight-up groove-metal number. Headbanging required!)
-Face Your Demons (Another heavy tune, built upon infectious riffs. Cuts to an elegant, melodic breakdown at about two & a half minutes in, with a great melodic guitar solo... perhaps my top pick!)
-New Soul/Just Wait (Another slow-grinder, also with breakdown segment and talented soloing.)
-Left in a Ditch (One of the faster tracks on the album. More great riffage!)
-No Peace Until Tomorrow (On the title track, you find more heavy riffs galore, yet the song retains a strong sense of melody, while still keeping it heavy.)

Check out these songs and more at Smash Corps' myspace page below!
http://www.myspace.com/smashcorps

Tuesday, February 1, 2011

KOPEK touring in the US, opening for HINDER!!!

Post #127
Hot new rockers, KOPEK, embark on first US tour in support of Hinder- ON TOUR NOW!!!

Hinder's current tour supporting their new album, All American Nightmare, is in progress now. They are hitting several major US cities throughout January & February. Special guests on this tour include Saving Abel, My Darkest Days, and KOPEK!!!

For tour dates, shows & venues, please check out any of the bands' websites:
Hinder: http://www.hindermusic.com/home/index.shtml
Saving Abel: http://www.savingabel.com/main.aspx
My Darkest Days: http://www.mydarkestdays.com/
KOPEK: http://www.kopekofficial.com/