Post #223
As one final reminder, I want to mention that ROCK AMERICA have been an incredible sponsor for the 'Heavy Metal Madness 2012' contest that has been going on throughout 2012. One lucky winner of that contest will receive a $25 gift card to Rock America. In the meantime, they have tons of cool merch for the Heavy Metal music can on your holiday shopping list this year.
Here are just a few samples of what you can find at either of their locations at Gurnee Mills or Woodfield shopping centers in the north Chicago suburbs. I'll use the Final Four of Heavy Metal Madness as examples:
METALLICA
ALICE IN CHAINS
LED ZEPPELIN
SYSTEM OF A DOWN
Thursday, December 13, 2012
Tuesday, December 11, 2012
Congratulations FIST TO THE SKY!
Post #222
On Nov 30th, the polls for 'Independent Band of the Year' closed and Fist To The Sky became the new champion. Beginning on January 1st, they'll take over the side-bar link that's been occupied by Mortal Wrath for 2012. Fist To The Sky ran a successful campaign, recruiting their fans to vote them to the win. For a while the competition heated up when Indolent pulled ahead mid-way through the contest, but Fist To The Sky reclaimed the lead in the end.
I want to take a moment to thank all the bands who agreed to participate this year. Collectively they introduced www.happyheadbanger.com to over 400 new fans. Thanks to this year's field of independent bands: Shield of Wings, Tetrarch, The Atrocities, BaleScream, In Serenity, Indolent, and of course FIST TO THE SKY.
Watch for frequent new content about Fist To The Sky; including reviews, interviews, announcements of upcoming shows, and breaking news of their forthcoming EP...
For now, you can check them out at their upcoming all-ages show, opening for Janus at Another Hole In The Wall in Steger, IL THIS SATURDAY, Decemeber 15th at 7pm. Tickets: $12 at the door. 9 bands performing! For more info click here http://www.facebook.com/events/218416004957619/
Congratulations again, Fist To The Sky! Looking forward to good things from you in 2013...
Happy Headbanging!
On Nov 30th, the polls for 'Independent Band of the Year' closed and Fist To The Sky became the new champion. Beginning on January 1st, they'll take over the side-bar link that's been occupied by Mortal Wrath for 2012. Fist To The Sky ran a successful campaign, recruiting their fans to vote them to the win. For a while the competition heated up when Indolent pulled ahead mid-way through the contest, but Fist To The Sky reclaimed the lead in the end.
I want to take a moment to thank all the bands who agreed to participate this year. Collectively they introduced www.happyheadbanger.com to over 400 new fans. Thanks to this year's field of independent bands: Shield of Wings, Tetrarch, The Atrocities, BaleScream, In Serenity, Indolent, and of course FIST TO THE SKY.
Watch for frequent new content about Fist To The Sky; including reviews, interviews, announcements of upcoming shows, and breaking news of their forthcoming EP...
For now, you can check them out at their upcoming all-ages show, opening for Janus at Another Hole In The Wall in Steger, IL THIS SATURDAY, Decemeber 15th at 7pm. Tickets: $12 at the door. 9 bands performing! For more info click here http://www.facebook.com/events/218416004957619/
Congratulations again, Fist To The Sky! Looking forward to good things from you in 2013...
Happy Headbanging!
Tuesday, December 4, 2012
Heavy Metal Madness: Elite Eight Summary, Part 2
Post #221
On November 19th, the second half of the Elite Eight of Heavy Metal Madness 2012 came to a close, and the FINAL FOUR of this tournament have been determined.
The Classic Rock bracket had predictably come down to Black Sabbath (#1 seed) and Led Zeppelin (#2 seed). It was a very close race throughout the month, and the 2 bands swapped the lead several times. The final vote was 21-19 in favor of Led Zeppelin; a decision truly decided by a single voter's opinion, since Sabbath held the tie-breaker. If one person had changed their mind in favor of Black Sabbath, then they would have advanced instead.
In the Alternative/Grunge/Punk bracket, it was a more surprising Elite Eight showdown: Alice In Chains (#5 seed) vs Soundgarden (#7 seed). However this match was far less of a contest, as AIC dominated their fellow Seattle-ites 28-7. Alice In Chains ties System of a Down for the lowest-seeded band to reach the Final Four.
Once again, your FINAL FOUR are as follows:
METALLICA (#1 seed)
LED ZEPPELIN (#2 seed)
SYSTEM OF A DOWN (#5 seed)
ALICE IN CHAINS (#5 seed)
Will top seeds dominate? Will chance favor the underdogs?!? We will find out by New Year's Eve! Vote for your top 2 of the Final Four. Voting is open until midnight, December 31st. So, cast your votes, share this site with your friends, and campaign one last time for YOUR favorite bands!
Now, the recommended songs for the bands now eliminated:
Black Sabbath-Black Sabbath
Soundgarden-Been Away Too Long
On November 19th, the second half of the Elite Eight of Heavy Metal Madness 2012 came to a close, and the FINAL FOUR of this tournament have been determined.
The Classic Rock bracket had predictably come down to Black Sabbath (#1 seed) and Led Zeppelin (#2 seed). It was a very close race throughout the month, and the 2 bands swapped the lead several times. The final vote was 21-19 in favor of Led Zeppelin; a decision truly decided by a single voter's opinion, since Sabbath held the tie-breaker. If one person had changed their mind in favor of Black Sabbath, then they would have advanced instead.
In the Alternative/Grunge/Punk bracket, it was a more surprising Elite Eight showdown: Alice In Chains (#5 seed) vs Soundgarden (#7 seed). However this match was far less of a contest, as AIC dominated their fellow Seattle-ites 28-7. Alice In Chains ties System of a Down for the lowest-seeded band to reach the Final Four.
Once again, your FINAL FOUR are as follows:
METALLICA (#1 seed)
LED ZEPPELIN (#2 seed)
SYSTEM OF A DOWN (#5 seed)
ALICE IN CHAINS (#5 seed)
Will top seeds dominate? Will chance favor the underdogs?!? We will find out by New Year's Eve! Vote for your top 2 of the Final Four. Voting is open until midnight, December 31st. So, cast your votes, share this site with your friends, and campaign one last time for YOUR favorite bands!
Now, the recommended songs for the bands now eliminated:
Black Sabbath-Black Sabbath
Soundgarden-Been Away Too Long
Friday, November 30, 2012
Approaching Dawn (A.D.)-Evolution of Reality (2012)
Post #220
It seems there is never a shortage of talented local metal bands in Chicagoland. Approaching Dawn (A.D.) are a new band from the far-northwest suburban area that are tearing things up as of late. A recent top-three contestant in the Eff'n Rock Radio battle-of-the-bands, they are out to make a name for themselves in the Chicago music scene and beyond.
Their self-produced debut album, Evolution Of Reality, is now available for purchase at www.CDbaby.com. A.D. hit you instantly with 100% aggressive metal on the lead track, '21st Century Darkside', and there's no letting up from there. Their style is a purist form of hard-edged thrash metal, very much akin to the likes of Lamb of God or DevilDriver. The tempo and riffs they employ are so tight you practically find yourself headbanging without noticing you had even started.
Vocalist Keroin Dawn emulates the style of Lamb of God's Randy Blythe, delivering lyrics with a rage held in perfect check. Though delivered with hardcore aggression, melody is not forgotten. Just when it seems the music is destined to be a one-dimensional riff loop, the band cuts to a melodic chorus. A.D.'s lyrics focus on themes that reflect on current times, and the struggles they provide. Whether the conflict is an internal struggle, or a venting rage at society's imperfections, you always feel the emotion behind the words.
There are a couple songs where A.D. take a few minutes to provide a melodic intro, before they return to their heavy, groove-driven formula. 'Copy of a Space', my favorite track, is one such song. Another is 'Madness Fable'. In any case, Evolution of Reality is a good collection of aggressive, riff and groove driven metal. Check it out on their Facebook Page and download it for yourself.
Recommended tracks:
-21st Century Darkside
-Evolution of Reality (This one has a breakdown riff that reminds of Pantera's classic 'A New Level')
-Victim Farm (Great guitar soling on this one!)
-Copy of a Space (Really cool intro. My favorite track!)
-Madness Fable (Another more melodic intro to a great, heavy song)
-Syndrome (Speedy, metalcore riffage here. Reminds me a bit of Bullet For My Vaneltine, or A7X)
It seems there is never a shortage of talented local metal bands in Chicagoland. Approaching Dawn (A.D.) are a new band from the far-northwest suburban area that are tearing things up as of late. A recent top-three contestant in the Eff'n Rock Radio battle-of-the-bands, they are out to make a name for themselves in the Chicago music scene and beyond.
Their self-produced debut album, Evolution Of Reality, is now available for purchase at www.CDbaby.com. A.D. hit you instantly with 100% aggressive metal on the lead track, '21st Century Darkside', and there's no letting up from there. Their style is a purist form of hard-edged thrash metal, very much akin to the likes of Lamb of God or DevilDriver. The tempo and riffs they employ are so tight you practically find yourself headbanging without noticing you had even started.
Vocalist Keroin Dawn emulates the style of Lamb of God's Randy Blythe, delivering lyrics with a rage held in perfect check. Though delivered with hardcore aggression, melody is not forgotten. Just when it seems the music is destined to be a one-dimensional riff loop, the band cuts to a melodic chorus. A.D.'s lyrics focus on themes that reflect on current times, and the struggles they provide. Whether the conflict is an internal struggle, or a venting rage at society's imperfections, you always feel the emotion behind the words.
There are a couple songs where A.D. take a few minutes to provide a melodic intro, before they return to their heavy, groove-driven formula. 'Copy of a Space', my favorite track, is one such song. Another is 'Madness Fable'. In any case, Evolution of Reality is a good collection of aggressive, riff and groove driven metal. Check it out on their Facebook Page and download it for yourself.
Recommended tracks:
-21st Century Darkside
-Evolution of Reality (This one has a breakdown riff that reminds of Pantera's classic 'A New Level')
-Victim Farm (Great guitar soling on this one!)
-Copy of a Space (Really cool intro. My favorite track!)
-Madness Fable (Another more melodic intro to a great, heavy song)
-Syndrome (Speedy, metalcore riffage here. Reminds me a bit of Bullet For My Vaneltine, or A7X)
Thursday, November 8, 2012
Black Tide-Post-Mortem
Post #219
Black Tide have been on my radar since long before their first album, Light From Above, even hit the market. I was lucky to see them on Ozzfest 2011 as a main-stage opener, and count myself a huge fan ever since. You may recall from my review of their first album that I thought they were a very talented, young band that needed perhaps a bit more direction to their style. What direction that might be was anyone's guess.
With release of Post-Mortem, they give us more direction. Listening to this album I can tell these guys have been spending time on tour with bands like Bullet for My Valentine, Avenged Sevenfold, Escape the Fate, Seether, and All That Remains. In the vocal department, Black Tide embrace a harsher approach on many songs. Hardcore screams are much more prominent on this album compared to their debut. Bullet for My Valentine's Matt Tuck even appears as a guest vocalist on the song 'Ashes'. However, melodic singing has not vanished either. A melodic vocal style is present in every song to maintain the band's catchy style they were so known for on their debut.
Not to be overlooked, they also add a few ballads on this album. Sometimes these are like a modern power-ballad, like 'Fight 'Til the Bitter End'. Others, like 'Take it Easy' are simply a romantic melodic metal song. The closing number 'Into the Sky', although the softest offering on the album, is really about mourning the loss of a loved one. A touching way to close another solid effort by these young metal-heads.
In any case these softer songs add a much-needed sense of variety into the mix for this album. Combined with the harsher elements in the vocal style, this is practically an all-together new formula for this young band. As I mentioned earlier, they may have been under the influence of their recent tour-mates while writing this album. Black Tide's sound has become more trendy as a result. While they might adhere more succinctly to the melodic-metalcore genre with this album, it comes at the expense of some of the originality they displayed on their debut. As hard as it is to survive in the music industry these days, I give Black Tide props for finding a niche they seem well-suited for. Still, I hold to my belief that they have not yet reached their full potential. This is truly a band to watch closely over the next several years. They could linger in this comfort-zone for quite some time, but they are equally capable of giving us something new and different, or old-school and classic on their next album. Wherever they may go, it is certain that Black Tide are well on their way to becoming a significant metal band of the current generation.
For now, lets enjoy the highlights of Post-Mortem while we can. Here are my favorites:
-Ashes (Featuring Matt Tuck from Bullet For My Valentine)
-Bury Me
-Honest Eyes (My true favorite on this release. Cool guitar effects, heavy and catchy)
-Fight 'Til the Bitter End (A heavy ballad. This song is so catchy it would make a great Bullet For My Valentine song, but Black Tide wrote it first...)
-Walking Dead Man (The heaviest song on the album. They're really taking a page from some of their peers on this one!)
-Into the Sky
Black Tide have been on my radar since long before their first album, Light From Above, even hit the market. I was lucky to see them on Ozzfest 2011 as a main-stage opener, and count myself a huge fan ever since. You may recall from my review of their first album that I thought they were a very talented, young band that needed perhaps a bit more direction to their style. What direction that might be was anyone's guess.
With release of Post-Mortem, they give us more direction. Listening to this album I can tell these guys have been spending time on tour with bands like Bullet for My Valentine, Avenged Sevenfold, Escape the Fate, Seether, and All That Remains. In the vocal department, Black Tide embrace a harsher approach on many songs. Hardcore screams are much more prominent on this album compared to their debut. Bullet for My Valentine's Matt Tuck even appears as a guest vocalist on the song 'Ashes'. However, melodic singing has not vanished either. A melodic vocal style is present in every song to maintain the band's catchy style they were so known for on their debut.Not to be overlooked, they also add a few ballads on this album. Sometimes these are like a modern power-ballad, like 'Fight 'Til the Bitter End'. Others, like 'Take it Easy' are simply a romantic melodic metal song. The closing number 'Into the Sky', although the softest offering on the album, is really about mourning the loss of a loved one. A touching way to close another solid effort by these young metal-heads.
In any case these softer songs add a much-needed sense of variety into the mix for this album. Combined with the harsher elements in the vocal style, this is practically an all-together new formula for this young band. As I mentioned earlier, they may have been under the influence of their recent tour-mates while writing this album. Black Tide's sound has become more trendy as a result. While they might adhere more succinctly to the melodic-metalcore genre with this album, it comes at the expense of some of the originality they displayed on their debut. As hard as it is to survive in the music industry these days, I give Black Tide props for finding a niche they seem well-suited for. Still, I hold to my belief that they have not yet reached their full potential. This is truly a band to watch closely over the next several years. They could linger in this comfort-zone for quite some time, but they are equally capable of giving us something new and different, or old-school and classic on their next album. Wherever they may go, it is certain that Black Tide are well on their way to becoming a significant metal band of the current generation.
For now, lets enjoy the highlights of Post-Mortem while we can. Here are my favorites:
-Ashes (Featuring Matt Tuck from Bullet For My Valentine)
-Bury Me
-Honest Eyes (My true favorite on this release. Cool guitar effects, heavy and catchy)
-Fight 'Til the Bitter End (A heavy ballad. This song is so catchy it would make a great Bullet For My Valentine song, but Black Tide wrote it first...)
-Walking Dead Man (The heaviest song on the album. They're really taking a page from some of their peers on this one!)
-Into the Sky
Saturday, November 3, 2012
Heavy Metal Madness: Elite Eight Summary, Pt.1
Post # 218
In Heavy Metal Madness 2012, the FINAL FOUR is just around the corner! Last month the first half of the Elite Eight was decided, and the second half is currently open for voting. Two more excellent bands were eliminated as two others punched their ticket to the Final Four...
The Classic Metal/Thrash bracket had come down to Metallica and Megadeth. Is it poetic, that Metallica- perhaps the most iconic band from the 80's thrash-metal scene, and Megadeth- the band founded by original Metallica guitarist, Dave Mustaine, clash once again for bragging rights in this tournament? It may have been a golden opportunity for payback for Megadeth, but it wasn't in the cards, at least not this year. Metallica won a decisive victory 20-15.
In the Hardcore/Metalcore bracket, a different story had unraveled, as many projected favorites had been slowly eliminated, sometimes by surprising upsets, as each round progressed to the next. It was down to Disturbed and System of a Down. Disturbed looked poised to make the Final Four, after eliminating a formidable opponent in Avenged Sevenfold. System of a Down had become something of a giant-killer, eliminating the likes of Korn and Tool by close margins. This time System of a Down pulled out a close match, again! Final vote tally: System of a Down 17, Disturbed 14.
Once again, I honor the fallen bands with a selected song from each...
Megadeth-Sweating Bullets
Disturbed-Inside the Fire
Keep voting! We'll who the next 2 bands to reach the Final Four will be next month...
Saturday, October 20, 2012
GIGANTOUR 2012: Lacuna Coil, Volbeat, Motorhead, Megadeth
Post # 217
On February 12, 2012, it was time to hit the road for another great rock n' roll/heavy metal show... Our destination this time: Milwaukee's Rave/Eagles Club for Megadeth's GIGANTOUR!
We were cutting it a little close for our arrival time, rushing into the venue as we heard music blaring already. Lacuna Coil had already taken the stage! We arrived in the actual music hall in time to catch most of their set. My favorite part of their set came between Fragile and Kill the Light, as Cristina looked up the the lighting tech-booth and said, "I think it's time we Kill the Light..." She likes making plays on the words of their song titles. I thought it was clever, and the song was awesome!
Lacuna Coil delivered an excellent set, culminating with their hit 'Spellbound' from their Shallow Life album a couple years ago. During the intermission, we edged our way in a little closer, and segments of the crowd shifted either for drinks or the rest rooms. We agreed to repeat this practice between each band through the evening to see how close we could get by the time Megadeth came on.
But next up was Volbeat! From Denmark, Volbeat are a metal band not quite like any other. They are heavy, sure, but they blend in a lot of old-school rock n' roll (almost the likes of Elvis Presley), resulting in a heavy, melodic, and catchy style of metal that's almost impossible not to dig. Currently they are getting a lot of air-play on hard rock radio with their hit 'A Warrior's Call'.
It may be no surprise, then, to hear that they opened with that very song. The opening lyric, "Let's get ready to rumble!!" almost made it feel like we were at a WWF event, but the music was much louder and heavier! Volbeat had it cranked up pretty loud, and their choice of songs displayed their versatility. Their softer side came across best on the tune 'Fallen', which has since become a frequent radio hit for them as well. Check that one out if you haven't... it's a great song!
Just as they were about to wrap things up, in the middle of their last song, they broke into the main riff from Slayer's 'Raining Blood'. So the crowd whipped back up into a true frenzy just as they closed their set. Now we were totally amped for Motorhead...
During the intermission, my buddy and I again crept slightly closer to the stage. Better view, more centrally located within the venue, alright!
Motorhead came out to the stage in a nonchalant sort of mood. Lemmy Kilmister simply walked up to the mic and asked if we were ready for some rock and roll. Then he let us have it, Motorhead were off and rolling... or perhaps rumbling is the better word. Drummer Mickey Dee was like a machine, driving the locomotor-sized engine of the rock'n'roll-meets-metal beast that is Motorhead. Their set was mostly composed of older songs that are fan-favorites, but they did play 'I Know How To Die' from their most recent album, The World Is Yours.
Lemmy was the classic business-like front man, keeping any intros between songs very short in favor of getting to the music quickly. The only down side may be that their set flew by pretty quickly, with the exception of Mickey's drum solo. They closed with two of their best-known songs, 'Ace of Spades' and 'Overkill' before leaving us to gather out breath for Megadeth...
Megadeth took the stage to near-deafening cheers. By this point we had secured a spot on the floor much closer to the stage. We braced for some furious thrash-metal... and once the drums started to thunder, indicating the beginning of the first song, 'Trust', we became engulfed in a throng of moshers. The mosh pit had started in earnest now, and we to a few minutes to fight our war into a spot to stand. Cramped and sweating with the raw energy, we locked in and pumped our fists to some of Megadeth's classics, like 'Hangar 18' and 'Wake Up Dead'.
Unlike the last time I saw Megadeth, back on American Carnage, this time they mixed up their set with several of their more melodic-metal songs. As the opportunity was here, Dave Mustaine invited Cristina Scabbia to join him to sing the duet-version of 'A Tout Le Monde'. The more obscure song 'Foreclosure of a Dream' was played as well. They also performed a string of 3 tracks from their new album 13 before closing with the encores 'Peace Sells' and 'Holy Wars'.
What an incredible night of metal mayhem!
The set lists for each band were...
Lacuna Coil
-Our Truth
-Upsidedown
-Fragile
-Kill the Light
-Trip The Darkness
-Spellbound
VolBeat
-A Warrior's Call
-Guitar Gangsters & Cadillac Blood
-The Human Instrument
-Sad Man's Tongue
-Hallelujah Goat
-Who They Are
-Fallen
-The Mirror and the Ripper
-Pool of Booze, Booze, Booza
-Still Counting (Raining Blood)
Motorhead
-Bomber
-Damaged Case
-I Know How To Die
-Stay Clean
-Over The Top
-The Chase is Better Than the Catch
-The One to Sing the Blues
-Going to Brazil
-Killed by Death
-Ace of Spades
-Overkill
Megadeth
-Trust
-Wake Up Dead
-A Tout Le Monde (w/ Cristina Scabbia)
-Hangar 18
-She-Wolf
-Foreclosure of a Dream
-Dawn Patrol
-Poison Was The Cure
-Head Crusher
-Public Enemy No.1
-Who's Life (Is It Anyway?)
-Guns, Drugs, and Money
-Symphony of Destruction
-Peace Sells
-Holy Wars... The Punishment Due
On February 12, 2012, it was time to hit the road for another great rock n' roll/heavy metal show... Our destination this time: Milwaukee's Rave/Eagles Club for Megadeth's GIGANTOUR!
We were cutting it a little close for our arrival time, rushing into the venue as we heard music blaring already. Lacuna Coil had already taken the stage! We arrived in the actual music hall in time to catch most of their set. My favorite part of their set came between Fragile and Kill the Light, as Cristina looked up the the lighting tech-booth and said, "I think it's time we Kill the Light..." She likes making plays on the words of their song titles. I thought it was clever, and the song was awesome!
Lacuna Coil delivered an excellent set, culminating with their hit 'Spellbound' from their Shallow Life album a couple years ago. During the intermission, we edged our way in a little closer, and segments of the crowd shifted either for drinks or the rest rooms. We agreed to repeat this practice between each band through the evening to see how close we could get by the time Megadeth came on.
But next up was Volbeat! From Denmark, Volbeat are a metal band not quite like any other. They are heavy, sure, but they blend in a lot of old-school rock n' roll (almost the likes of Elvis Presley), resulting in a heavy, melodic, and catchy style of metal that's almost impossible not to dig. Currently they are getting a lot of air-play on hard rock radio with their hit 'A Warrior's Call'.
It may be no surprise, then, to hear that they opened with that very song. The opening lyric, "Let's get ready to rumble!!" almost made it feel like we were at a WWF event, but the music was much louder and heavier! Volbeat had it cranked up pretty loud, and their choice of songs displayed their versatility. Their softer side came across best on the tune 'Fallen', which has since become a frequent radio hit for them as well. Check that one out if you haven't... it's a great song!
Just as they were about to wrap things up, in the middle of their last song, they broke into the main riff from Slayer's 'Raining Blood'. So the crowd whipped back up into a true frenzy just as they closed their set. Now we were totally amped for Motorhead...
During the intermission, my buddy and I again crept slightly closer to the stage. Better view, more centrally located within the venue, alright!
Motorhead came out to the stage in a nonchalant sort of mood. Lemmy Kilmister simply walked up to the mic and asked if we were ready for some rock and roll. Then he let us have it, Motorhead were off and rolling... or perhaps rumbling is the better word. Drummer Mickey Dee was like a machine, driving the locomotor-sized engine of the rock'n'roll-meets-metal beast that is Motorhead. Their set was mostly composed of older songs that are fan-favorites, but they did play 'I Know How To Die' from their most recent album, The World Is Yours.
Lemmy was the classic business-like front man, keeping any intros between songs very short in favor of getting to the music quickly. The only down side may be that their set flew by pretty quickly, with the exception of Mickey's drum solo. They closed with two of their best-known songs, 'Ace of Spades' and 'Overkill' before leaving us to gather out breath for Megadeth...
Megadeth took the stage to near-deafening cheers. By this point we had secured a spot on the floor much closer to the stage. We braced for some furious thrash-metal... and once the drums started to thunder, indicating the beginning of the first song, 'Trust', we became engulfed in a throng of moshers. The mosh pit had started in earnest now, and we to a few minutes to fight our war into a spot to stand. Cramped and sweating with the raw energy, we locked in and pumped our fists to some of Megadeth's classics, like 'Hangar 18' and 'Wake Up Dead'.
Unlike the last time I saw Megadeth, back on American Carnage, this time they mixed up their set with several of their more melodic-metal songs. As the opportunity was here, Dave Mustaine invited Cristina Scabbia to join him to sing the duet-version of 'A Tout Le Monde'. The more obscure song 'Foreclosure of a Dream' was played as well. They also performed a string of 3 tracks from their new album 13 before closing with the encores 'Peace Sells' and 'Holy Wars'.
What an incredible night of metal mayhem!
The set lists for each band were...
Lacuna Coil
-Our Truth
-Upsidedown
-Fragile
-Kill the Light
-Trip The Darkness
-Spellbound
VolBeat
-A Warrior's Call
-Guitar Gangsters & Cadillac Blood
-The Human Instrument
-Sad Man's Tongue
-Hallelujah Goat
-Who They Are
-Fallen
-The Mirror and the Ripper
-Pool of Booze, Booze, Booza
-Still Counting (Raining Blood)
Motorhead
-Bomber
-Damaged Case
-I Know How To Die
-Stay Clean
-Over The Top
-The Chase is Better Than the Catch
-The One to Sing the Blues
-Going to Brazil
-Killed by Death
-Ace of Spades
-Overkill
Megadeth
-Trust
-Wake Up Dead
-A Tout Le Monde (w/ Cristina Scabbia)
-Hangar 18
-She-Wolf
-Foreclosure of a Dream
-Dawn Patrol
-Poison Was The Cure
-Head Crusher
-Public Enemy No.1
-Who's Life (Is It Anyway?)
-Guns, Drugs, and Money
-Symphony of Destruction
-Peace Sells
-Holy Wars... The Punishment Due
Labels:
Concert Review,
Gigantour,
Lacuna Coil,
Megadeth,
Motorhead,
Rock N' Roll,
Thrash,
VolBeat
Monday, October 15, 2012
'Independent Band of the Year' Reader's Poll 2012!
Post #216
It is time once again for the most anticipated reader's poll of the year! The contest where YOU decide which independent rock-or-metal band will become the next 'Honorary Vice President' of this blog, and reap the benefits of that title; including music reviews, interviews, event promotions, and possible live show reviews. Once again I have gathered a very talented set of seven unsigned, independent hard rock/heavy metal bands from across the country and around the world to compete for your votes.
This year's contestants are...
Fist To The Sky (Chicago, IL)
(Melodic Metal)
A thrash-inspired, melodic-metal band from the Chicago music scene. It is easy to hear the influence of artists like Avenged Sevenfold and Metallica in their sound. Winning a couple battle-of-the-bands contests recently, these guys are on the rise...
Check out 'Down Into Hell' or 'Another Lesson Learned' on their facebook page:
http://www.facebook.com/fisttothesky/app_155326481208883
Indolent (McHenry, IL)
(Classic Metal/Thrash)
This band provides a good shot-in-the-arm of metal's timeless core elements: shredding riffs, classic guitar solos, dominant vocals and good 'ole aggression. When asked about their influences, they simply say 'the greats...'
Check out 'Undone' or 'Left Behind' or on their facebook page:
http://www.facebook.com/indolentworld?fref=ts
The Atrocities (Kenosha, WI)
(Ska-Punk)
This punk/metal/ska quartet from the remote suburban sprawl between Chicago and Milwaukee brings cutting-edge and confrontational lyrics into play with a classic hardcore-punk rock sound. Bringing anti-racist and anti-sexist messages to their growing fan-base is their mission.
Check out 'Martyrdom Superstardom' or 'Comfortable When Dead' on their facebook page:
http://www.facebook.com/pages/THE-ATROCITIES/117340811633563?sk=app_2405167945
Shield Of Wings (Chicago, IL)
(Symphonic Metal)
Ever hear of Nightwish? Epica? Well, they better watch out for Shield of Wings! Soaring, operatic female vocals, tempered with occasional death-metal backing vocals, this band truly knows how to fuse the beautiful elements of metal with the brutal ones!
Check out 'Solarium' or 'Carnival Mirror' on their facebook page:
http://www.facebook.com/pages/Shield-of-Wings/122216464509802?sk=app_2405167945
Tetrarch (Atlanta, GA)
(Thrash/Hardcore)
This band can shred with the best of them! Furious tempos, heavy riffs, a blend of hardcore and melodic vocals. Imagine the riffs of Trivium with the vocals of Bullet For My Valentine. Your bones will resonate!
Check out 'We Are The Hunters' or 'The Will to Fight' on their facebook page:
http://www.facebook.com/tetrarchga/app_178091127385
In Serenity (St. Louis, MO)
(Female-Fronted Metalcore)
This band incorporates technical guitar work and keyboards along with a mix of melodic and hardcore vocal elements to get their signature sound. Picture the best parts of In This Moment and Halestorm, fused at the core perhaps...
Check out 'Ghost Town' or 'Blackheart' on their facebook page:
http://www.facebook.com/pages/In-Serenity/150729918341124?sk=app_2405167945
BaleScream (Newcastle, Australia)
(Melodic Death/Hardcore/Thrash)
These guys may be the heaviest contestant this year. A thrashy, melodic death-metal band from down-under... That's right, I'm featuring an independent band from Australia for the first time! Bone-crushing riffs and aggressive vocals galore!
Check out 'Kusanagi' or 'Cyclonic Terror' on their facebook page: http://www.facebook.com/BalescreamBand/app_2405167945
So there you have it! This year's field of contestants. Check out each one, and vote for your favorite in this month's reader's poll.
Good luck to all the bands. May the best band win!
It is time once again for the most anticipated reader's poll of the year! The contest where YOU decide which independent rock-or-metal band will become the next 'Honorary Vice President' of this blog, and reap the benefits of that title; including music reviews, interviews, event promotions, and possible live show reviews. Once again I have gathered a very talented set of seven unsigned, independent hard rock/heavy metal bands from across the country and around the world to compete for your votes.
This year's contestants are...
Fist To The Sky (Chicago, IL)
(Melodic Metal)
A thrash-inspired, melodic-metal band from the Chicago music scene. It is easy to hear the influence of artists like Avenged Sevenfold and Metallica in their sound. Winning a couple battle-of-the-bands contests recently, these guys are on the rise...
Check out 'Down Into Hell' or 'Another Lesson Learned' on their facebook page:
http://www.facebook.com/fisttothesky/app_155326481208883
Indolent (McHenry, IL)
(Classic Metal/Thrash)
This band provides a good shot-in-the-arm of metal's timeless core elements: shredding riffs, classic guitar solos, dominant vocals and good 'ole aggression. When asked about their influences, they simply say 'the greats...'
Check out 'Undone' or 'Left Behind' or on their facebook page:
http://www.facebook.com/indolentworld?fref=ts
The Atrocities (Kenosha, WI)
(Ska-Punk)
This punk/metal/ska quartet from the remote suburban sprawl between Chicago and Milwaukee brings cutting-edge and confrontational lyrics into play with a classic hardcore-punk rock sound. Bringing anti-racist and anti-sexist messages to their growing fan-base is their mission.
Check out 'Martyrdom Superstardom' or 'Comfortable When Dead' on their facebook page:
http://www.facebook.com/pages/THE-ATROCITIES/117340811633563?sk=app_2405167945
Shield Of Wings (Chicago, IL)
(Symphonic Metal)
Ever hear of Nightwish? Epica? Well, they better watch out for Shield of Wings! Soaring, operatic female vocals, tempered with occasional death-metal backing vocals, this band truly knows how to fuse the beautiful elements of metal with the brutal ones!
Check out 'Solarium' or 'Carnival Mirror' on their facebook page:
http://www.facebook.com/pages/Shield-of-Wings/122216464509802?sk=app_2405167945
Tetrarch (Atlanta, GA)
(Thrash/Hardcore)
This band can shred with the best of them! Furious tempos, heavy riffs, a blend of hardcore and melodic vocals. Imagine the riffs of Trivium with the vocals of Bullet For My Valentine. Your bones will resonate!
Check out 'We Are The Hunters' or 'The Will to Fight' on their facebook page:
http://www.facebook.com/tetrarchga/app_178091127385
In Serenity (St. Louis, MO)
(Female-Fronted Metalcore)
This band incorporates technical guitar work and keyboards along with a mix of melodic and hardcore vocal elements to get their signature sound. Picture the best parts of In This Moment and Halestorm, fused at the core perhaps...
Check out 'Ghost Town' or 'Blackheart' on their facebook page:
http://www.facebook.com/pages/In-Serenity/150729918341124?sk=app_2405167945
BaleScream (Newcastle, Australia)
(Melodic Death/Hardcore/Thrash)
These guys may be the heaviest contestant this year. A thrashy, melodic death-metal band from down-under... That's right, I'm featuring an independent band from Australia for the first time! Bone-crushing riffs and aggressive vocals galore!
Check out 'Kusanagi' or 'Cyclonic Terror' on their facebook page: http://www.facebook.com/BalescreamBand/app_2405167945
So there you have it! This year's field of contestants. Check out each one, and vote for your favorite in this month's reader's poll.
Good luck to all the bands. May the best band win!
Wednesday, October 10, 2012
None The Wiser: 2 Years of Sutured Psyche!
Post #215
On January 28th, 2012, Sutured Psyche returned to the Elbo Room, in Chicago's Lincoln Park neighborhood to celebrate their 2 year anniversary as a band... This show was a special occasion as they chose to invite their fans to bring their own video-recording devices to film the show for a DVD. I took advantage of this opportunity, and filmed my own video that I contributed to their archive for this project. As luck would have it, I was one of very few who managed to capture the full show before running out of storage space or batteries (I barely made it on battery life!)
To be sure, film or no film, Sutured Psyche put on an excellent show! They knew tonight was their night and played with as much fervor as ever...
The show was typical balls-to-the-wall energy on display for Sutured Psyche. Their regular following has probably grown accustomed to their style of play over the last 2 years, but for the occasional new member of the audience catching their show for the first time, it's sure to win some new converts to Bastard Nation (the band's pet-name for their faithful following.) Those in the front row were likely to receive a sprinkling of hard fought sweat from cheesecake (...er, I mean guitarist!), Ryan Reilly.
The band delivered a great set, featuring several songs from their 6-track EP Bastard Nation, some older original songs of theirs, and a couple newer ones. They even pulled out a cover of 'I Ran' by 80's pop-rockers Flock of Seagulls. The crowd loved every minute of it. By the end of the night, footage had been saved on several hand-held electronic devices, and arrangements were made to get them to the band.
True to his word, band spokesman/guitarist Ryan Reilly gathered all the contributed video clips of the show, and mixed them with the master audio from the show, and has delivered a Live DVD/CD combo pack that is available to all their fans and Bastard Nation at large. It is a really sweet package, too! Not only does it contain a DVD of the full concert, and an audio CD of the set, but Ryan went the extra mile and threw in a ton of extra features. (one might say he ran... he ran all night and day... etc...)
The first treat is the opening track: an animated video of their song 'The Leap' (quite appreciated by die-hard fans, as this song was not performed as part of the live show!). Following the concert footage, there are some documentary-style Bastard-Grams. These were the band's special way of promoting the release of their EP, as they hand-delivered them, along with a message, upon request for any number of occasions.
Some highlights from the show itself:
Crecy. The opening number features an extended bass-guitar intro. Great tone-setter as the band eases into their groove.
Belbo's Stomp. This song sees Sutured Psyche get some of their aggression out. Band members are jumping around the stage, playing off each other's energy. Some of the fans get into the spirit too, as some creative camerawork comes into play. At one point during this song, the camera slowly inverts, so that it seems Dr. Piamon is screaming at you from the ceiling!
Steven. As Adrian Mann joins the band midway through the show, initially disguised as 'Dirk Dastardly'. Immediately before the song starts he says to the audience: "My Brothers, let us play the music of our people." All things considered, this moment seems to sum up the crux of Sutured Psyche and their beloved Bastard Nation... A camaraderie shared through the emotion of the music and lyrics of this band. You feel that Sutured Psyche has a tribal quality to it, and you feel a part of that tribe. The song they proceeded to play was 'Steven', a fan-favorite and one of the band's best known songs. It is a melodic number at the start, and cycles between heavy segments and melodic phrases throughout. The memorable, Shakespearean line of the chorus: 'I demand... I demand my pound of flesh from you.'
Codependent. This song has remained a 'classic' in the eyes of fans. A demo of it was made in the band's early days, but it didn't make the cut for inclusion on their EP (to the dismay of some fans). Well, there is some redemption for it now, since there is now this live version of the song. The band really delivers on this number, perhaps the best performance of the night!
I Ran. The Flock of Seagulls cover. The crowd reaction to this one says it all. Just watch the DVD, or listen to the CD. This was all of Bastard Nation letting loose and havin' a good time! William breaks into an ad-lib salutation to the audience and their faithful support towards the end.
Check out www.suturedpsyche.com today, and get your copy!
Complete Set List from the show is as follows:
-Crecy
-Invocation
-Anything
-Ma Gavte La Nata
-Belbo's Stomp
-Steven
-Codependent
-I Ran
-Trickster, Part 1
On January 28th, 2012, Sutured Psyche returned to the Elbo Room, in Chicago's Lincoln Park neighborhood to celebrate their 2 year anniversary as a band... This show was a special occasion as they chose to invite their fans to bring their own video-recording devices to film the show for a DVD. I took advantage of this opportunity, and filmed my own video that I contributed to their archive for this project. As luck would have it, I was one of very few who managed to capture the full show before running out of storage space or batteries (I barely made it on battery life!)
To be sure, film or no film, Sutured Psyche put on an excellent show! They knew tonight was their night and played with as much fervor as ever...
The show was typical balls-to-the-wall energy on display for Sutured Psyche. Their regular following has probably grown accustomed to their style of play over the last 2 years, but for the occasional new member of the audience catching their show for the first time, it's sure to win some new converts to Bastard Nation (the band's pet-name for their faithful following.) Those in the front row were likely to receive a sprinkling of hard fought sweat from cheesecake (...er, I mean guitarist!), Ryan Reilly.
The band delivered a great set, featuring several songs from their 6-track EP Bastard Nation, some older original songs of theirs, and a couple newer ones. They even pulled out a cover of 'I Ran' by 80's pop-rockers Flock of Seagulls. The crowd loved every minute of it. By the end of the night, footage had been saved on several hand-held electronic devices, and arrangements were made to get them to the band.
True to his word, band spokesman/guitarist Ryan Reilly gathered all the contributed video clips of the show, and mixed them with the master audio from the show, and has delivered a Live DVD/CD combo pack that is available to all their fans and Bastard Nation at large. It is a really sweet package, too! Not only does it contain a DVD of the full concert, and an audio CD of the set, but Ryan went the extra mile and threw in a ton of extra features. (one might say he ran... he ran all night and day... etc...)
The first treat is the opening track: an animated video of their song 'The Leap' (quite appreciated by die-hard fans, as this song was not performed as part of the live show!). Following the concert footage, there are some documentary-style Bastard-Grams. These were the band's special way of promoting the release of their EP, as they hand-delivered them, along with a message, upon request for any number of occasions.
Some highlights from the show itself:
Crecy. The opening number features an extended bass-guitar intro. Great tone-setter as the band eases into their groove.
Belbo's Stomp. This song sees Sutured Psyche get some of their aggression out. Band members are jumping around the stage, playing off each other's energy. Some of the fans get into the spirit too, as some creative camerawork comes into play. At one point during this song, the camera slowly inverts, so that it seems Dr. Piamon is screaming at you from the ceiling!
Steven. As Adrian Mann joins the band midway through the show, initially disguised as 'Dirk Dastardly'. Immediately before the song starts he says to the audience: "My Brothers, let us play the music of our people." All things considered, this moment seems to sum up the crux of Sutured Psyche and their beloved Bastard Nation... A camaraderie shared through the emotion of the music and lyrics of this band. You feel that Sutured Psyche has a tribal quality to it, and you feel a part of that tribe. The song they proceeded to play was 'Steven', a fan-favorite and one of the band's best known songs. It is a melodic number at the start, and cycles between heavy segments and melodic phrases throughout. The memorable, Shakespearean line of the chorus: 'I demand... I demand my pound of flesh from you.'
Codependent. This song has remained a 'classic' in the eyes of fans. A demo of it was made in the band's early days, but it didn't make the cut for inclusion on their EP (to the dismay of some fans). Well, there is some redemption for it now, since there is now this live version of the song. The band really delivers on this number, perhaps the best performance of the night!
I Ran. The Flock of Seagulls cover. The crowd reaction to this one says it all. Just watch the DVD, or listen to the CD. This was all of Bastard Nation letting loose and havin' a good time! William breaks into an ad-lib salutation to the audience and their faithful support towards the end.
Check out www.suturedpsyche.com today, and get your copy!
Complete Set List from the show is as follows:
-Crecy
-Invocation
-Anything
-Ma Gavte La Nata
-Belbo's Stomp
-Steven
-Codependent
-I Ran
-Trickster, Part 1
Labels:
Concert Review,
independent music,
Sutured Psyche
Monday, October 1, 2012
Heavy Metal Madness: Sweet Sixteen Summary, Part 2
Post #214
Last month's set of readers polls saw the elimination of 4 more bands in this year's one-of-a-kind tournament. And 4 other bands got ever closer to the coveted title of 'Best Band of All Time' (at least for this blog). Without you making your opinions known with your votes, this blog would just be me picking my favorites all the time, so THANK YOU!
Before I break down all the details, let me say that last month's results were not without controversy! For the first time in this tournament, I had to invoke the tie-breaker rules I laid out in post #166 last October. In that post I stated that in the event of a tie, if the contest has not reached the Final Four, the band with the higher seed within their bracket advances. For the first time, one of the polls last month ended in a tie: Soundgarden and Foo Fighters both gathered 20 votes. Therefor Soundgarden (#7 seed) advanced over Foo Fighters (#11 seed). My apologies to all the Foo Fighters Fans out there who voted, but rules are rules. Next time, remember to get more of your friends to vote, and maybe we can avoid ties in the future? The last thing I'll say on this issue: Voting in the polls is pretty. Voting in the polls is good. All that the Foos needed was one more vote. This is a call to all my past blog-poll voters- come back, vote again, and spread the word!
Now, for the rest of last month's results:
In the Classic Rock bracket, Black Sabbath beat Kiss 33-8. Led Zeppelin beat AC/DC 28-13.
While in the Alternative/Grunge bracket, Alice In Chains upset Nirvana 22-19, and Soundgarden... well, I already told you how they got past Foo Fighters.
Lastly, my recommended songs for those bands now eliminated:
Kiss-War Machine
AC/DC-Hells Bells
Nirvana-All Apologies
Foo Fighters-This Is a Call
...Until the next tournament update, keep voting, and happy headbanging!
Last month's set of readers polls saw the elimination of 4 more bands in this year's one-of-a-kind tournament. And 4 other bands got ever closer to the coveted title of 'Best Band of All Time' (at least for this blog). Without you making your opinions known with your votes, this blog would just be me picking my favorites all the time, so THANK YOU!
Before I break down all the details, let me say that last month's results were not without controversy! For the first time in this tournament, I had to invoke the tie-breaker rules I laid out in post #166 last October. In that post I stated that in the event of a tie, if the contest has not reached the Final Four, the band with the higher seed within their bracket advances. For the first time, one of the polls last month ended in a tie: Soundgarden and Foo Fighters both gathered 20 votes. Therefor Soundgarden (#7 seed) advanced over Foo Fighters (#11 seed). My apologies to all the Foo Fighters Fans out there who voted, but rules are rules. Next time, remember to get more of your friends to vote, and maybe we can avoid ties in the future? The last thing I'll say on this issue: Voting in the polls is pretty. Voting in the polls is good. All that the Foos needed was one more vote. This is a call to all my past blog-poll voters- come back, vote again, and spread the word!
Now, for the rest of last month's results:
In the Classic Rock bracket, Black Sabbath beat Kiss 33-8. Led Zeppelin beat AC/DC 28-13.
While in the Alternative/Grunge bracket, Alice In Chains upset Nirvana 22-19, and Soundgarden... well, I already told you how they got past Foo Fighters.
Lastly, my recommended songs for those bands now eliminated:
Kiss-War Machine
AC/DC-Hells Bells
Nirvana-All Apologies
Foo Fighters-This Is a Call
...Until the next tournament update, keep voting, and happy headbanging!
Thursday, September 27, 2012
Megadeth- Th1rt3en
Post #213
Megadeth. In all practicality, they are perhaps my favorite metal band. They are certainly one of the bands I review most frequently, if you've been following this blog, and with their newest release, Th1rt3en, they give me 13 more reasons to affirm that opinion. In fact, I've probably been playing this album more thoroughly than I've played any Megadeth album since Rust In Peace. If you've been reading my Megadeth posts since the inception of this blog, then you know that's saying a lot!
Th1rt3en is an album that maintains a balance of rhythmic and melodic elements like the band used to do back in the mid 90's. One reason for this familiar vibe is that a couple of the songs were actually written back in that era, but never were selected for an album until now. Die-hard Megadeth fans will recognize these songs since they have appeared as bonus tracks on the Megadeth remasters as 'previously unreleased demos'.
In spite of the fact that almost a fourth of this album's songs were refined from previous demos or B-sides, the way they're interspersed amongst the new material yields an impressive final product. Several of the new songs fit in well with Megadeth's recent work, as Dave Mustaine keeps his unyielding attitude and politically critical tongue focused on more current events. This time around, Dave seems to get this out of his system relatively quickly, as most of these politically-themed songs appear on the first half of the record. Other songs are based on more neutral themes you can bang your head to, even if you haven't been reading the headlines. In both cases, the songs are driven by powerful and intricate riffs; ranging from slow, methodical classic-metal to the ripping and shredding of traditional thrash.
Th1rt3en sees Megadeth literally fusing pieces of their past with the present. This fact is also relevant in the band's line-up, as former bassist David Ellefson returned to Megadeth prior to recording this album. Some of those songs that are reworked demos even list former band members Marty Friedman and Nick Menza as co-writers. However, I shouldn't take away any credit from the newer members: guitarist Chris Broderick, and drummer Shaun Drover, who both execute this collection of technical thrash metal with the utmost perfection that Megadeth have become known for.
Now comes the hard part: picking songs to recommend from Th1rt3en, and narrowing it down to the best of the best... I must reiterate: this is probably the best album Megadeth have done since Rust In Peace. It simply keeps growing on me each time I listen to it. It'll be hard not to recommend the whole album, but still, I will try. Be prepared for a long list...
-Sudden Death (OK, originally this song appeared in the Guitar Hero: Warriors of Rock game. Dave said he wanted to write a song that "Challenged the limits of guitar-playing." Fast riffs and furious soloing ensues...)
-Public Enemy No. 1 (My first taste of this song was when Megadeth played it live at Mayhem Fest, before the album's release. It's been a favorite of mine ever since.)
-Never Dead
-New World Order (This one was previously available as a demo/bonus track on the remastered version of Youthanasia. It has one of those unique riffs that Mustaine is known for. Great, heavy tune.)
-Fast Lane (You might guess, with the word 'Fast' being in the title, that this is one of the faster selections from this album. You would be correct! A true highlight.)
-Black Swan (Another song that had already been out there... as a 'pre-order' bonus track on United Abominations. Here it becomes available to everyone, and it deserves high marks. Catchy, killer riffs and lead guitars.)
-Millennium of the Blind (Again, a previous version of this song was on the remastered Youthanasia, but it was only half as long, and didn't contain most of the lyrics found here in this 'complete' version. Dave has truly polished this one into a fine gem of melodic heavy metal!)
-13 (Like he once did with the song 'Victory', back in '94, Dave again gives us an auto-biographic song. This one sets a new standard. More melodic in parts, but at the same time dark and heavy.)
Megadeth. In all practicality, they are perhaps my favorite metal band. They are certainly one of the bands I review most frequently, if you've been following this blog, and with their newest release, Th1rt3en, they give me 13 more reasons to affirm that opinion. In fact, I've probably been playing this album more thoroughly than I've played any Megadeth album since Rust In Peace. If you've been reading my Megadeth posts since the inception of this blog, then you know that's saying a lot!
Th1rt3en is an album that maintains a balance of rhythmic and melodic elements like the band used to do back in the mid 90's. One reason for this familiar vibe is that a couple of the songs were actually written back in that era, but never were selected for an album until now. Die-hard Megadeth fans will recognize these songs since they have appeared as bonus tracks on the Megadeth remasters as 'previously unreleased demos'.
In spite of the fact that almost a fourth of this album's songs were refined from previous demos or B-sides, the way they're interspersed amongst the new material yields an impressive final product. Several of the new songs fit in well with Megadeth's recent work, as Dave Mustaine keeps his unyielding attitude and politically critical tongue focused on more current events. This time around, Dave seems to get this out of his system relatively quickly, as most of these politically-themed songs appear on the first half of the record. Other songs are based on more neutral themes you can bang your head to, even if you haven't been reading the headlines. In both cases, the songs are driven by powerful and intricate riffs; ranging from slow, methodical classic-metal to the ripping and shredding of traditional thrash.
Th1rt3en sees Megadeth literally fusing pieces of their past with the present. This fact is also relevant in the band's line-up, as former bassist David Ellefson returned to Megadeth prior to recording this album. Some of those songs that are reworked demos even list former band members Marty Friedman and Nick Menza as co-writers. However, I shouldn't take away any credit from the newer members: guitarist Chris Broderick, and drummer Shaun Drover, who both execute this collection of technical thrash metal with the utmost perfection that Megadeth have become known for.
Now comes the hard part: picking songs to recommend from Th1rt3en, and narrowing it down to the best of the best... I must reiterate: this is probably the best album Megadeth have done since Rust In Peace. It simply keeps growing on me each time I listen to it. It'll be hard not to recommend the whole album, but still, I will try. Be prepared for a long list...
-Sudden Death (OK, originally this song appeared in the Guitar Hero: Warriors of Rock game. Dave said he wanted to write a song that "Challenged the limits of guitar-playing." Fast riffs and furious soloing ensues...)
-Public Enemy No. 1 (My first taste of this song was when Megadeth played it live at Mayhem Fest, before the album's release. It's been a favorite of mine ever since.)
-Never Dead
-New World Order (This one was previously available as a demo/bonus track on the remastered version of Youthanasia. It has one of those unique riffs that Mustaine is known for. Great, heavy tune.)
-Fast Lane (You might guess, with the word 'Fast' being in the title, that this is one of the faster selections from this album. You would be correct! A true highlight.)
-Black Swan (Another song that had already been out there... as a 'pre-order' bonus track on United Abominations. Here it becomes available to everyone, and it deserves high marks. Catchy, killer riffs and lead guitars.)
-Millennium of the Blind (Again, a previous version of this song was on the remastered Youthanasia, but it was only half as long, and didn't contain most of the lyrics found here in this 'complete' version. Dave has truly polished this one into a fine gem of melodic heavy metal!)
-13 (Like he once did with the song 'Victory', back in '94, Dave again gives us an auto-biographic song. This one sets a new standard. More melodic in parts, but at the same time dark and heavy.)
Wednesday, September 5, 2012
Cinderella, with Sebastian Bach (7-27-12)
Post # 212
Cinderella were one of those 'Hair Bands' that were really big for a short stretch of time, and it happened to be around the time I was getting into music for the first time. Long Cold Winter was their second full-length album, and featured several hit songs when I was just getting into rock and metal music. I saw the videos for 'The Last Mile', 'Coming Home', or 'Gypsy Road' on MTV almost every day. I collected their cassettes Night Songs and Long Cold Winter rather quickly. Suffice to say, Cinderella were a regular listening experience for me for a few years between 1989 and 1991.
After their 3rd album, Heartbreak Station came out, the band began to run into a few problems. There was the issue of the 'Hair/Glam' metal scene losing it's popularity, which affected many of the 'Hair Bands', but even more detrimental and serious was vocalist Tom Keifer's vocal paralysis. He lost his voice to such a degree it required several surgeries to repair. At this point I thought my chances to ever see him perform live with Cinderella might be gone forever. But Tom fought through it all, went through some therapy to learn how to sing again, and in recent years Cinderella have been touring again. This show was my first Cinderella concert. It's been a long time coming, and hopefully it will not be the last!
The first opener was Chicago's own Hessler. As chance would have it, I had seen them not long ago, also opening for Bach. This time I went along with a friend from Chicago. We were looking forward to a good show...
Unfortunately, Hessler were already in the middle of their set when we arrived, but the songs I heard were more familiar this time around. We got there just in time for them to play 'Shark Attack', already a favorite of mine. They incorporated synchronized headbanging as part of their performance of this song, and Igz Kincaid rocks his shark-bodied guitar. Just like before, they were energetic on the stage. More than just playing their songs, they look to put on a good show. They closed their set with the Chicago-crowd pleasing 'Windy City Wild Child'.
After a few minutes, where we had a chance to chat with some friends from Deadmanswake whom we bumped into between sets. It was nice to catch up and discuss music for a bit, but then it was time to track down some drinks and get ready for Sebastian Bach...
He wasted no time getting straight to the metal as he opened with the thrasher 'Slave to the Grind'. The friend I brought along was also a big Skid Row fan, and we were enjoying this part of the show all the more. Overall, I found his set list to be very similar to when I saw him several months ago, but a bit shorter. Understandable, since this time he wasn't the headliner, but still, I would have liked at least one or two songs I hadn't heard before. Nonetheless, he put on a killer performance of the songs he did play. The only hitch was where he stopped the show to kick a guy out from the crowd (again, just like last time!) My other friends who were closer to the action said the guy was directing rude gestures toward Sebastian Bach, and he apparently was not going to take that.
The show went on, and he played all the classic Skid Row stuff ('18 and Life', 'I Remember You', 'Youth Gone Wild'), plus a few songs from his 2 recent releases Angel Down and Kicking and Screaming. Like I said, it was a great performance from Bach. His voice is every bit as good as it ever was. One of the best vocalists from the 'Hair Metal' era, bar none!
Then we mingled during the intermission while the stage was prepared for Cinderella...
When Cinderella took the stage it felt like years were rolled back. 20 years after the last time I bought one of their albums, and I was finally seeing them live! They opened up with an older, heavy song- 'Once Around the Ride'. After a couple songs form the Night Songs album, they mixed it up with a little blues, playing 'Heartbreak Station'. They played a bunch of songs from their first two albums for the majority of the show. Mainly, I was relieved to hear that Tom Keifer's voice was still there- almost as good as I remember from my CDs.
He proved he was a versatile musician as well, playing electric and acoustic guitars, piano, and even saxophone at different stages of the show. I really hope he can continue performing for many years to come. It was a nice bit of nostalgia, but if Cinderella get around to making new music again, I'll be first in line to hear it!
Here are the set lists from the various performers:
Setlist HESSLER:
-Waste Away
-Who Will You Run To
-Rising Sign
-Shark Attack
-Last Alive
-Windy City Wild Child
SEBASTIAN BACH:
-Slave to the Grind
-Kickin' and Screamin'
-Dirty Power
-Here I Am
-Big Guns
-Stuck Inside
-Piece of Me
-18 and Life
-American Metalhead
-Monkey Business
-I Remember You
-Youth Gone Wild
CINDERELLA:
-Once Around The Ride
-Shake Me
-Heartbreak Station
-Somebody Save Me
-Night Songs
-The More Things Change
-Comin' Home
-Second Wind
-Don't Know What You Got (Til It's Gone)
-Nobody's Fool
-Gypsy Road
-----
-Long Cold Winter
-Shelter Me
Cinderella were one of those 'Hair Bands' that were really big for a short stretch of time, and it happened to be around the time I was getting into music for the first time. Long Cold Winter was their second full-length album, and featured several hit songs when I was just getting into rock and metal music. I saw the videos for 'The Last Mile', 'Coming Home', or 'Gypsy Road' on MTV almost every day. I collected their cassettes Night Songs and Long Cold Winter rather quickly. Suffice to say, Cinderella were a regular listening experience for me for a few years between 1989 and 1991.
After their 3rd album, Heartbreak Station came out, the band began to run into a few problems. There was the issue of the 'Hair/Glam' metal scene losing it's popularity, which affected many of the 'Hair Bands', but even more detrimental and serious was vocalist Tom Keifer's vocal paralysis. He lost his voice to such a degree it required several surgeries to repair. At this point I thought my chances to ever see him perform live with Cinderella might be gone forever. But Tom fought through it all, went through some therapy to learn how to sing again, and in recent years Cinderella have been touring again. This show was my first Cinderella concert. It's been a long time coming, and hopefully it will not be the last!
The first opener was Chicago's own Hessler. As chance would have it, I had seen them not long ago, also opening for Bach. This time I went along with a friend from Chicago. We were looking forward to a good show...
Unfortunately, Hessler were already in the middle of their set when we arrived, but the songs I heard were more familiar this time around. We got there just in time for them to play 'Shark Attack', already a favorite of mine. They incorporated synchronized headbanging as part of their performance of this song, and Igz Kincaid rocks his shark-bodied guitar. Just like before, they were energetic on the stage. More than just playing their songs, they look to put on a good show. They closed their set with the Chicago-crowd pleasing 'Windy City Wild Child'.
After a few minutes, where we had a chance to chat with some friends from Deadmanswake whom we bumped into between sets. It was nice to catch up and discuss music for a bit, but then it was time to track down some drinks and get ready for Sebastian Bach...
He wasted no time getting straight to the metal as he opened with the thrasher 'Slave to the Grind'. The friend I brought along was also a big Skid Row fan, and we were enjoying this part of the show all the more. Overall, I found his set list to be very similar to when I saw him several months ago, but a bit shorter. Understandable, since this time he wasn't the headliner, but still, I would have liked at least one or two songs I hadn't heard before. Nonetheless, he put on a killer performance of the songs he did play. The only hitch was where he stopped the show to kick a guy out from the crowd (again, just like last time!) My other friends who were closer to the action said the guy was directing rude gestures toward Sebastian Bach, and he apparently was not going to take that.
The show went on, and he played all the classic Skid Row stuff ('18 and Life', 'I Remember You', 'Youth Gone Wild'), plus a few songs from his 2 recent releases Angel Down and Kicking and Screaming. Like I said, it was a great performance from Bach. His voice is every bit as good as it ever was. One of the best vocalists from the 'Hair Metal' era, bar none!
Then we mingled during the intermission while the stage was prepared for Cinderella...
When Cinderella took the stage it felt like years were rolled back. 20 years after the last time I bought one of their albums, and I was finally seeing them live! They opened up with an older, heavy song- 'Once Around the Ride'. After a couple songs form the Night Songs album, they mixed it up with a little blues, playing 'Heartbreak Station'. They played a bunch of songs from their first two albums for the majority of the show. Mainly, I was relieved to hear that Tom Keifer's voice was still there- almost as good as I remember from my CDs.
He proved he was a versatile musician as well, playing electric and acoustic guitars, piano, and even saxophone at different stages of the show. I really hope he can continue performing for many years to come. It was a nice bit of nostalgia, but if Cinderella get around to making new music again, I'll be first in line to hear it!
Here are the set lists from the various performers:
Setlist HESSLER:
-Waste Away
-Who Will You Run To
-Rising Sign
-Shark Attack
-Last Alive
-Windy City Wild Child
SEBASTIAN BACH:
-Slave to the Grind
-Kickin' and Screamin'
-Dirty Power
-Here I Am
-Big Guns
-Stuck Inside
-Piece of Me
-18 and Life
-American Metalhead
-Monkey Business
-I Remember You
-Youth Gone Wild
CINDERELLA:
-Once Around The Ride
-Shake Me
-Heartbreak Station
-Somebody Save Me
-Night Songs
-The More Things Change
-Comin' Home
-Second Wind
-Don't Know What You Got (Til It's Gone)
-Nobody's Fool
-Gypsy Road
-----
-Long Cold Winter
-Shelter Me
Labels:
Cinderella,
Concert Review,
Hair Metal,
Hessler,
Sebastian Bach
Saturday, September 1, 2012
Heavy Metal Madness: Sweet Sixteen Summary, Part 1
Post #211
In mid-August, another round of polling closed and your votes have determined who won and who lost in the first half of the Sweet Sixteen of Heavy Metal Madness! It was exciting to see the results unfold, as once again there were upsets, and close matches that came down to the last couple votes on the last day of polling.
In the Classic Metal/Thrash Block:
METALLICA beat IRON MAIDEN 27-22,
and MEGADETH came from behind to beat JUDAS PRIEST 27-25.
While in the Hardcore/Metalcore Block:
TOOL failed to hang onto their lead in the last day of voting as they lost to SYSTEM OF A DOWN 23-26,
and DISTURBED pulled a dominating upset against AVENGED SEVENFOLD 26-18!
Don't miss your chance to vote in the next round!
Now, the recommended songs for those bands now eliminated:
Iron Maiden-2 Minutes To Midnight
Judas Priest-Painkiller
Tool-Schism
Avenged Sevenfold-Welcome to the Family
Subscribe to:
Posts (Atom)









