Sunday, July 17, 2011

Losing Scarlet-Learning to Bleed




Post #151

Every so often a CD comes around that I just can't get enough of. These are the albums that live in my CD player for months on end. You know this kind of album: the one that just grabs you and you can keep playing it over and over and never get tired of it. I've had this experience several times, when I'll listen to the same CD on a daily basis week after week. In the past it's happen with albums like GN'R's 'Appetite for Destruction', Pantera's 'Far Beyond Driven', System of a Down's 'Mezmerize'... Well, this summer it's happened to me again. The album that did it this time: Learning to Bleed by Losing Scarlet.

Losing Scarlet have held strong to their signature sound they established on their self-titled 2009 debut, but Learning to Bleed sounds like a much stronger, crisper, and more established effort. It's not that they've done anything different on this album, I just think they do what they do much better this time around. The recording quality seems a couple notches higher to my ears as well. As you listen to this album, it flows really well from one song to the next. Each song seems to add a slightly different element or effect to their repertoire.

Overall I can still describe their sound as the half-way point between Evanescence and Disturbed. So if you have checked out Losing Scarlet's first CD and found it enjoyable, then don't wait another second and pick up a copy of Learning to Bleed today! Here are my recommended track to get you started:
-Learning to Bleed
-Halo of Stone (My personal favorite. This song rocks hard with a lot of attitude.)
-Dick Whiskey (Their first single from this album, with a cool video on youtube!)
-Kiss the Guilt Away (Melodic segments mixed with some fast-paced thrashing!)
-Afterglow (The closing number is perhaps the best example of Losing Scarlet expanding their horizons. A softer, slower number, but still electric. Lyrics are introspective and full of emotion, describing the aftermath of a failed relationship.)

(Click the album cover above to visit the band's website to order your CD, check for upcoming shows, and join the band's mailing list!)

Thursday, July 14, 2011

Scream The Prayer Tickets available... for Sunday July 17th!

Post #150.5
For anyone in the Milwaukee area; I have tickets available for THIS SUNDAY'S show: SCREAM THE PRAYER TOUR! Headliner: NORMA JEAN. Also featuring: Sleeping Giant, The Chariot, Close Your Eyes, Texas in July, I the Breather, The Great Commission, As Hell Retreats, Sovereign Strength, AND St Louis' heroes of underground metal- STRYCH9HOLLOW (see posts #98 & #133), plus many more!

Show starts at 4pm!!!

Send an email to: happyheadbanger@gmail.com for more information! Hurry if you're interested! Only 3 days until the show!

Wednesday, July 13, 2011

Lyric Quotes of the Month (Nov. '08 - Dec.'09)

Post #150
Hey there, readers! It's been awhile since I've posted a collection of my monthly lyric quotes. If you've missed a couple over the last few months, don't worry because I do intend to write posts like this one periodically. So, to pick up from where I left off way back in '08, here we go...

November '08: "Now I know there's trouble in the middle-east. I'll spend all my money when I stop the arms race. All my brothers in the desert gonna have themselves a feast. And when that's done then we'll start on world peace." from 'When I'm President' by Extreme

December '08: "On my Heavy Metal Christmas my true love gave to me... A tattoo of Ozzy!" from 'Heavy Metal Christmas' by Twisted Sister

January '09: "The world is full of kings and queens who blind your eyes and steal your dreams. It's Heaven and Hell" from 'Heaven & Hell' by Black Sabbath

February '09: "Life burns from the touch of the Reaper, all things must pass." from 'Life Burns!' by Apocalyptica

March '09: "When you combine heartache with misery sets up a challenge for destiny." from 'Tainted Past' by Armored Saint

April '09: "As long as one of us is chained, none of us are free." from 'Who Has the Right' by Sammy Hagar

May '09: "I woke the same as any other day except a voice was in my head. It said 'seize the day, pull the trigger, drop the blade and watch the rolling heads.'" from 'The Day I Tried to Live' by Soundgarden

June '09: "Don't drink from the cup of human kindness. It's a strange brew and poison to the touch." from 'Follow the Tears' by Heaven & Hell

July '09: "I will try to pour all of myself into this life before I die. If I go before my time, then take these words evermore into your life." from 'Into the Mouth of Hell We March' by Trivium

August '09: "Does following faith lead us to violence?" from 'In the Name of God' by Dream Theater

September '09: "I pound the walls, I shake the cage! I will not fall, I will not fail!" from 'Become the Catalyst' by All That Remains

October '09: "I pledge allegiance to the underworld, one nation under Dog, there of which I stand alone. A face in the crowd, unsung, against the mold. Without a doubt, singled out, the only way I know." from 'Minority' by Green Day

November '09: "Sleep my friend and you will see the dream is my reality." from 'Welcome Home (Sanitarium)' by Metallica

December '09: "Stop searching the sky for answers, and look within." from 'Still I Rise' by Shadows Fall

Sunday, July 10, 2011

Avenged Sevenfold-Nightmare (2010)

Post #149
After the tragic death of their drummer, Jimmy 'The Rev' Sullivan, Avenged Sevenfold faced a tough decision of whether or not to continue their musical career. Having already written most of their next album, they decided, after taking some time off, to stick it out and continue on with A7X. As a fan, I was okay with their decision. I can't believe The Rev would have wanted them to give up making music.

My curiosity was peaked as I anticipated this latest album. How would they finish it up? What would the mood be? Would there be tracks with The Rev's unique vocals, either as lead or background? What would they do to honor him? And most obvious, who would finish up the drum tracks for the album?

All of these questions and more were answered with the release of Nightmare. The first answer I learned of, as I followed this project, was that Mike Portnoy, former drummer of Dream Theater, would be filling in on drums. This was at the band's request; Portnoy came to mind as he was The Rev's favorite drummer. Portnoy accepted the offer graciously and performed like a pro in the studio.

This notion is just one of several ways the band honored The Rev in the production and release of this album. There is a 'thank-you' in the liner notes both to Jimmy and to his family. He is depicted in a drawing of 5 skeletons that represent the 5 band members, his tell-tale hair style making him easy to recognize. Another photo of the 4 remaining band members at a bar also includes an empty bar-stool with a full glass on the bar in front of it. The picture behind the CD is of the band embracing, with text below reading, "R.I.P JIMMY "THE REV" SULLIVAN, 02/09/81 - 12/28/09". There are vocals from The Rev recorded on this album in the song 'Fiction', and you can imagine many of the lyrics could be about The Rev, or how the band is trying to cope with their feelings of grief and mourning. Most obvious, however, has to be the lettering on the grave stone on the album's cover-art, which reads, "FOREVER".

All the references to The Rev aside, Nightmare proves to be the most versatile album yet from Avenged Sevenfold. There are a few heavy songs, like the title track and 'Welcome To The Family', and also several softer tunes like 'So Far Away' and 'Fiction' that make liberal use of clean guitars or piano. Some tracks bring elements of progressive metal into the fold, much like they did to some extent on their last couple albums. The biggest surprise, to me, was hearing the song 'God Hates Us', which employs an extremely harsh, screaming vocal-style that hearkens back to the band's early years. It seems like they included this song to prove to their fans from those early years that they can still scream like that if they want to, however I believe M Shadows' history of vocal cord surgery is still a deterrent from using this style to excess.

Avenged Sevenfold have always written songs with dark and haunting tones and themes, and Nightmare brings those moods out again. This time, though, it feels more personal. There is a definite somber mood in many of the songs. I am sure that in many ways recording this album was a catharsis for the band, helping them to deal with their emotions surrounding the loss of their band-mate and friend. No doubt there are a multitude of fans out there who have felt their own emotions brought to the surface while listening to this album too.

Now to honor The Rev one last time, by recommending my favorite tracks from this important album, because music truly does live forever, and with it the memories and experiences of the musicians who created it. My top picks from Nightmare:
-Nightmare (of course, the title track & first single gets my thumbs-up. It shows right from the start that A7X are still heavy, in touch with the scary side of music, and continuing their legacy in fine form!)
-Welcome To The Family
-Buried Alive (This one brings a strong progressive element; starts slow and melodic, but transitions near the end into a mid-tempo thrasher)
-So Far Away (This song, to me, really sounds like it's about The Rev, but it could be about losing any loved one.)
-God Hates Us (As I hinted at, this song sounds like it could have been on one of their early albums; 'Sounding the Seventh Trumpet' or 'Waking the Fallen')
-Tonight the World Dies (Slow & melodic number, but very dark & haunting in its tone)
-Fiction (Perhaps the last time we'll get to hear The Rev singing on an A7X record, "...let it burn under my skin, let it burn!")

Friday, June 24, 2011

CELLOUT-Superstar Prototype

Post #148
Hailing from Sweden, melodic metal band Cellout have released their debut album, Superstar Prototype, on Nuerra Records. With their own style of melodic metal, they are making a conscious move away from the stereotype of most metal bands that hail from Sweeden, in that their vocal style intentionally avoids the more extreme screaming and shreiking style typically found with Sweedish death-metal.

Superstar Prototype is an album of pure melodic metal. Simple as that sounds, it is truly the best way to describe it. Their songs are built upon pure power-chord riffs. They excel at creating high-tempo grooves rather than showing off any flashy techniques. It's great music for pumping your fist to great grooves, and the choruses are quite catchy. Singer Percy Mejhagen had said they wanted to focus on melody with their vocal style, rather than screaming for the sake of screaming. Says Mejhagen, "I'm not comfortable screaming the way a metal singer 'should' scream. Instead... we let the guitars do all the screaming."

My only point of criticism would be in the lack of any prominent guitar solos. Granted this is perhaps a stylistic choice of the band itself, but from my personal point of view, I think it would bring Cellout's music to a higher level. But I will leave it at that and just say, to each his own. I know there is a following of metal fans out there who prefer the groove-style of metal and care not for over-the-top, excessive guitar soloing. For these fans, Cellout is a must-hear.

Regardless of my personal reservations, I still have several tracks to recommend from Superstar Prototype:
-Dark Days ( A heavy thrasher. First track of the albums shows their heavy side. Still, you can tell their music is melody-driven.)
-All My Demons Inside
-Flooded (One of the ballads of the album. Here you get a taste of the softer side of Cellout, and a better example of Percy's vocal range and talent as a singer.)
-Set Things Straight (Brutally heavy while still infused with soft vocal melodies.)
-Blow (Another softer tune, not quite as much so as Flooded, but still catchy.)

This CD  is available from Nuerra Records
http://www.nuerra.com/home/?page=profiles&artist_id=1


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Monday, June 20, 2011

System Of A Down (Full Review)

Post #147 [Poll winner: Which is not a topping on System of a Down's pizza?]
For those who voted in the reader's poll regarding System of a Down's choice of pizza-toppings, you need only listen to the song 'Chic N' Stu' to discover they like... 'pepperoni, and green peppers, mushrooms, olives, chives!' That means the correct answer for the poll question was actually 'sausage'! Hope you had fun with that poll last month. Now for more about System of a Down...

System Of A Down came onto the heavy metal scene in 1998 with their self-titled debut album and quickly revolutionized the scene with their genre-defying sound and style. With all the members being of Armenian descent, their lyrics are charged with strong political themes that reflect their unique perspective on a number of issues. Their outspoken, thought-provoking, and emotional social commentary would quickly become a trademark of theirs, and continued to grow with each release.

On their first album, SOAD quickly exhibited an array of songs that showcased their unique style and techniques. Serj Tankian's vocals are very extreme & hard-core in places, with prominent screams and guttural growls that approach the likes of death-metal vocal styles. They would migrate away form this vocal style in the coming years.

In 2001 System of a Down released their 2nd album, Toxicity. This album proved to be a true break-through effort for System. Several songs that featured prominent melodic passages became huge hits. Don't be fooled though, these songs still contained extreme elements as well. System of a Down were becoming more adept at fusing the popular and melodic elements of hard rock with the hard-edged and more extreme elements of metal, all the while managing to sound exactly like neither of those genres!

With their surge in popularity following the Toxicity album, their fan-base became strongly devoted to following their every move, and stalking the web for any hint of new music from them. Rumors of unreleased tracks from the Toxicity recording sessions sparked obsessive fans to pirate and share any such tracks if they got leaked.

Then in 2002, to put an end to the illegal downloading, while at the same time pleasing many fans, the band gave in and released the tracks as their 3rd full-length album, Steal This Album! The title was a bit of a joke as well, reflecting the fact that many fans had, in fact, stolen the tracks already. However, this final product was more polished and refined than the versions that had been leaked. Several of the songs that were released as singles also became big hits.

In 2005, System of a Down gave us what has to be regarded as their masterpiece (at least to this point of their career), a double-album, released in two parts: Mezmerize was released in the spring, and Hypnotize in the fall of the same year. The packaging of these 2 albums was even designed to compliment each other, as Mezmerize contained a flap that could be inserted into the side flap of Hypnotize, making a double-CD folding case. The art work on the discs and inserts was also complimentary.

Stylistically, these last two albums by System of a Down show even more of the band's talent as musicians. Some tracks, like B.Y.O.B. exhibit the extreme side of their potential, with plenty of screams and brutally heavy riffs. Other tracks, like Lonely Day, are so soft and melodic that you may wonder if they are performed by the same band. And of course you have many numbers like Question! which switch it up between soft melodies and harsh screaming so suddenly you might think they are trying to do too much, but remarkably, SOAD make these elements work.

It is this uncanny ability to effortlessly fuse some of the most extreme styles of metal with the most catchy and pretty elements of pop-rock that make System of a Down practically incomparable in the metal scene. It has been 6 long years since they last recorded an album together. I think if they do decide to return to the studio at some point and make some fresh tunes again, we would be just as impressed as before. I still believe they are a band with unlimited potential.

For my recommended tracks from System of a Down, I'll give you the track-list for my personal mix CD; 'How Do You Own Disorder? -The Best of System Of A Down'
-Suite Pee
-Prison Song
-Soldier Side-Intro
-B.Y.O.B
-I-E-A-I-A-I-O
-Aerials
-Tentative
-Deer Dance
-Cigaro
-Sugar
-Chop Suey!
-Chic N' Stu
-Hypnotize
-Suggestions
-Question!
-Radio/Video
-Roulette
-Attack
-Holy Mountains
-Toxicity
-Innervision
-Sad Statue
-Lonely Day
-Soldier Side

(compiled on 4-21-06 by the Happy Headbanger)
Color-coded album reference:
System Of A Down, Toxicity, Steal This Album!, Mezmerize, Hypnotize

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Friday, June 17, 2011

The American Carnage Tour (2010), Part I: VIP Meet-N-Greet with Megadeth!

Post # 146

The American Carnage Tour that took place in 2010 was perhaps the greatest gathering of thrash-metal veterans on one tour since 1992's Clash of the Titans. Testament, Megadeth, and Slayer had metal-head audiences at their mercy on this tour. Aside from the handful of festival appearances of The Big Four (Metallica-Slayer-Megadeth-Anthrax), shows on this tour have been the only ones to feature as many thrash metal pioneers on the same stage. And this tour hit several major cities across the North American continent as opposed to a few select appearances.
It took a lot of effort and persistence to pull this tour off. Already it was a follow-up to the Canadian Carnage Tour, which featured the same bands. However, shortly before the scheduled start of the tour, Slayer announced that their singer/bassist, Tom Araya, needed to have back surgery, and the tour was canceled. Much apology was issued to ticket-holders from all the bands involved, and a rescheduling was promised.

Several months passed, during which Megadeth and Testament scheduled their own co-headlining tour and added fellow Bay-area thrash veterans Exodus as an opening act. This was Megadeth's 20th anniversary tour for the Rust In Peace landmark album. In honor of RIP, they performed the entire album, plus a few more Megadeth classics. Testament took the opportunity to feature their complete The Legacy album in their set as well.

After Araya had recovered from back surgery, a rescheduled American Carnage tour was announced. I was lucky enough to be among those who had tickets for the original original tour, thanks to my beautiful wife and her mom, who went in together to get these tickets for me as a gift. The tour promoters were true to their word, and after refunding the old tickets, and reissuing new ones, I was all set for the show. But the most amazing thing that had me in total shock was the fact that they were VIP tickets with an opportunity to meet MEGADETH! For this opportunity, I will be forever indebted to my wife, for it is truely a once-in-a-lifetime type of opportunity!

For those of you who've been reading this blog from the beginning, you know how devoted I have been to Megadeth as a fan. I've reviewed all of their studio albums on this blog and intend to add some reviews of their live material soon. Megadeth, and Dave Mustaine in particular, have always been atop my list of heavy metal musicians I idolize. The chance to meet them in person was honestly like a dream come true for me. I couldn't wait for the show (though I had already been waiting for almost half a year!)

When the day of the show finally arrived, I made my way to the UIC Pavilion in Chicago, IL, and made sure I was plenty early. I got in line with the other die-hards who also had VIP tickets and were anxiously awaiting their chance to meet their heroes of heavy metal. Always excited to converse with other like-minded fans, I struck up conversations with everyone who was in line close to me. We all discussed our favorite Megadeth songs, albums, band members, etc, as we waited for them to open the doors to the Pavilion.

Having nearly an hour of time to kill, I got to be pretty good friends with several of these strangers who were waiting in line. I met people from other Chicago suburbs and downtown. Others had travelled great distances for this opportunity to meet the band; from places as exotic as Mexico, Peru, and (get this) Egypt! Whatever our cultural differences may have been, we were united on this day by our fanaticism for heavy metal in general, and for Megadeth in particular!

At last the doors opened and our event coordinator from 'I Love All Access' gathered us together, checked our tickets, and explained how the meet-&-greet was going to work. After the plan of events was drawn out, we proceded to the 2nd level private sky-boxes where drinks, snacks, and air-conditioned comfort awaited us. There was Megadeth music playing to set the mood, and we were minutes away from meeting the band!

The hostess handed out our merch bags (everybody got a special back-stage pass, a Megadeth dog-tag, Megadeth skull-cap, and long-sleeve Megadeth shirt). We were told to help ourselves to drinks and snacks, all on the house. After a few minutes of mingling, we were told to get ready, line up, and get out our chosen item for autographing. So I get in the back of the line, only to realize we were facing the wrong direction, and from behind me I hear the hostess say, 'Here they are! Megadeth!'

So there I was, unexpectedly first-in-line, with merely a few seconds to gather my thoughts and try to think of something un-stupid to say to the living legends I idolized standing right in front of me. First up was David Ellefson. What to say? "Hey Dave. How's it feel to be back?" (David Ellefson had only returned to the band prior to this rescheduled tour. In fact, if it had gone through when originally scheduled, I might not have met Ellefson, but James Lomenzo instead! Perhaps this is some manifestation of fate?) In response, he kinda smiled and nodded and said, "Feels good!" Okay, nothing too spectacular I admit, but I was there, and I got to shake his hand! Then I hand him my item to autograph: a limited, promo edition of Rust In Peace in a coffin-shaped box with a pop-up Vic Ratlhead inside. Dave says, "This is pretty cool!", signs it & passes it back.

Next: Shawn Drover, the drummer. Hand shake. Sign the little coffin. Pass it back. "Hey dude" is said back & forth between us. Then it's Chris Broderick, lead guitarist. Repeat formalities. Then I step back, feeling like I should say something more substantial to these guys. I say, "Shawn, Chris, I've been a fan for years, but I really like how you guys fit in the band. You keep things really tight." (This is true, you can see my old reviews of Megadeth on this blog & see how I've praised Megadeth's newer material.) They both respond with a smile and a 'thank-you'.

Now, I am merely inches from Dave Mustaine. I'm star-struck to silence, but force myself to get past it. "You're.... You're YOU!" I say, lamely. I pause a second to realize how that must have sounded, shake my head and look down at my hands, which are holding the aforementioned RIP-coffin-case, and in my other hand a brand-new copy of Dave's autobiography, 'Mustaine'. Within a second or two my mind debates trying to beg for him to sign 2 items, but the rules we were given specifically said only one item could be signed. So, making a split-second decision, I hand over the RIP-coffin, wanting to complete the set of the whole bands' signatures, and hope that I may get another chance for Dave to sign the book some other day.

Dave takes the little coffin, turns it over in his hands and looks me in the eye and says, "Wow. You know, these are really rare." Then he signs it. Hands it back. At this point Chris Broderick actually leans in and asks Dave what the coffin-shaped box actually is. Mustaine explains that it was a limited run that was distributed mainly to critics & promoters, and that there aren't that many around. How lucky I am to have such an item, and have it signed by the band, no less, does not escape me. I say thanks and shake his hand, and immediately thank him again for having the band do this whole 'meet-n-greet' in the first place.

Then I remember a clever question I had (or so I thought), and ask him if it's true that he named the Gigantour Tour after the anime entitled Gigantor. He says, "Yeah. Yeah, I did." Taking a shot in the dark, I asked him if by chance he still follows any anime (Japanese animation. I'm actually a big fan of it myself). He just looked back at me and said something to the effect that he's too old for that stuff now.



At this point I began to feel self-conscious of having been the first-in-line. I realized that everyone else was waiting impatiently for their chance to meet and converse with Megadeth, so I almost walked away without getting my photo taken with the band (included with the VIP packcage.) The event coordinator grabs my arm and says, "Hey, don't you want your picture?" Of course I did! So I walk back to the band, Dave Mustaine puts his arm around my shoulder, the other band members pose in a line, and 'CLICK!', the photo is snapped... right as one of the caterers walks right in front of the camera.


"Hey man, what the hell are you doing?" Dave shouts at the guy. So we repeat the photo. I guess I was lucky that they took the time to take a second photo. It would have sucked if my pic with Megadeth was just a guy in a catering uniform blurred while the band and I are obscured in the background. So, in the end, I got my photo just fine:
Then I hung around and watched the other fans file through the line, getting various memorabilia signed. Vinyl LPs, CDs, posters, T-shirts. One guy even had a VMNT guitar (Dave Mustaine's signature model from Dean Guitars)! My new friend from Egypt came over after he got through the line and we talked some more. Since we were both at this event by ourselves, we agreed to stick together throughout the show. (Mosh-pit buddy-system you know, have to have some one looking out for you, and someone to look out for.)


We're still in touch to this day. We had a great time at the concert. But those details I'll save for another post...

Tuesday, June 14, 2011

Losing Scarlet: CD release & acoustic set.

Post #145
On March 12th, 2011, Losing Scarlet performed an acoustic set at Best Buy in Mundelein, IL to celebrate the release of their new album, Learning To Bleed. I was able to catch this performance, and got to hear Losing Scarlet play some of their best songs unplugged. It was a great afternoon of live music!

It was really cool to be able to hang out with the band again; it has been over a year since the last time I saw them. In that time they've been polishing up their new songs, which sounded great pouring out of several display-model stereos throughout the store! I'll have a review of the new album coming soon, but for now I'll share the experience of their CD-release show.

Playing to over 20 of the LS faithful, plus the regular weekend clientele of Best Buy, Losing Scarlet broke out their acoustic guitar, bass, and bongos to deliver a great set with a bit of a different flavor than they usually provide. However, their music's formula translates well on acoustic.


They opened their set with one of their new songs, 'Inclusions', a great song about asserting one's independence. They followed it with another new one, 'Dick Whiskey', for which they also have a video on their youtube page. Next they gave us all a twist with a new cover-song, 'Zombie', originally done by The Cranberries in the mid-90's. Jodi Kell's voice is a good match for that song, and they did the song justice. The rest of their set was dedicated to songs from their 1st CD, which have become fan-favorites to their regular following by this point.


I hung around for a bit after their set, enough to catch up with the band members and get a signed poster. It was good to see these guys again, and reassuring to hear them perform so well. As I mentioned, it had been too long since I saw them last. They're playing many shows this summer. Don't miss your chance to catch them. Click the photo to get to their website, and watch for their next show.


Here is their complete set for the CD-release show:


-Inclusions


-Dick Whiskey


-Zombie


-Left to Burn


-Die With Us


-Feel the Pain

Sunday, June 12, 2011

Heavy Metal 107's new banner, by TraynArt Graphic Design!

Post #144
Just recently I uploaded a new, fancy, full-color banner for this blog. It is a concept I've had in mind for years now, and thanks to a friend of mine who is a graphic designer, it has been brought to life. I couldn't have envisioned it any better! I hope you enjoy seeing it atop this blog as much as I do. I need to take a moment to express my gratitude for his fine work. Thanks so much, Andy! If you're looking for someone to do graphics for one of your own blogs or websites, feel free to contact him here: traynart@gmail.com.

Thursday, June 9, 2011

DEADMANSWAKE @ Brauerhouse in Lombard, IL

Post #143
Hey people! DEADMANSWAKE are playing another killer set this Friday, June 10th.


This time they'll be at the Brauerhouse in Lombard, IL. If you can get there you won't be disappointed. They go on after midnight, about 12:30, however the full show begins at 9pm.


Also appearing, Beneath the Stares among others...


Contact the band at http://www.facebook.com/DEADMANSWAKE for further info!

Monday, May 30, 2011

Chicago Metal Fest-Mosh for Cancer, feat. DEADMANSWAKE & others.

Post #142
Friday June 3rd, at Reggie's Music Club in Chicago! Don't miss another great night of Metal music for a good cause, supporting cancer research. Reggie's is located at 2105 S. State St.

Heavy Metal 107's independent band of the year, DEADMANSWAKE will be performing along with Slaughter Xtroyes, Sins of a Nation, True Witness, Act of Destrustion, and Panzer!

Tickets are $10, click here: http://www.ticketfly.com/purchase/event/42267?utm_medium=bks

More info below!
http://www.facebook.com/event.php?eid=187330854642718

Sunday, May 22, 2011

Lita Ford with Ozzy Osbourne, 'Close My Eyes Forever'

Post #141 (Poll winner: Favorite Duet)
Lita Ford teamed up with Ozzy Osbourne in 1988 for what has become one of the greatest duet performances in hard-rock history. The song was 'Close My Eyes Forever'. It came about at a time when hair-metal was at the apex of its popularity, and rock radio was dominated by hard-rock ballads. Ozzy's solo career was back on track after he enlisted Zack Wylde on lead guitar, and Ozzy himself had been to rehab and got cleaned up for the first time since about 1970. Lita Ford, at the time, was also managed by Sharon Osbourne and was working on her third solo-album since the break-up of The Runaways, Lita.

Whoever had the idea for this collaboration was a genius, because the market was primed for its success. 'Close My Eyes Forever' would become Lita Ford's best selling single, and Lita became her most successful album. Ozzy probably benefited from this duet just as much, since it showed a softer side of his potential as a vocalist and exposed him to a larger audience through its heavy air-play and successful music video. I'm sure this song played a role in setting up Ozzy for the success he would see with his next album, No More Tears, as well.

Lita Ford would enjoy a little more success with her next release, Stiletto, but within 5 years the grunge-scene would become king, while pop-metal/hair-metal became uncool. But for 1989 'Close My Eyes Forever' was as big a hit as anyone could have wished for. It's a memorable and unique sounding ballad to this day. I've never heard another song quite like it since. Aside from being on the album Lita, it also appears on the 1992 collection The Best of Lita Ford.

Other recommended Lita Ford hits:
-Kiss Me Deadly
-Shot of Poison
-Back to the Cave
-Only Women Bleed (Cover of an Alice Cooper classic!)
-Playin' With Fire

Thursday, May 5, 2011

Heathendom-Nescience and Self-Titled debut

Post #140
Heathendom are a power metal band from Greece. They incorporate elements from progressive metal, to traditional, classic metal, while keeping the riffs really heavy. When I first heard them I was instantly reminded of early Queensryche, thanks to the voice of vocalist Dimitris. Other bands I could compare them to range from Iron Maiden to King Diamond. Guitarists Lefteris Vourliotis and Michail Vlavianos are a fearsome combination of talent. There are quality lead guitars, acoustic guitars, keyboards, and plenty of heavy, distorted guitars in their mix.

Not to be overlooked, there are elements of progressive metal prominent on several tracks. If you've enjoyed some of the more epic songs from the likes of Dream Theater, or late Iron Maiden, then you will be impressed with Heathendom songs like 'Mirror of Memories' or 'Haunted in Hell'.

I highly recommend Heathendom to fans of classic heavy metal, as well progressive and power metal. As I have alluded to previously, if you like the vocal style of singers like Bruce Dickinson, King Diamond, Rob Halford, or Geoff Tate, then you need to hear Heathendom!

Recently, Metal On Metal Records has reissued their self-titled demo (originally released in 2005), and full-length debut album Nescience (originally 2008). Both are available through Metal On Metal's website: http://metalonmetalrecords.com/home.html. They are a European label, so it may be easier to shop online via CDBaby.com in the US. For Heathendom's music at CDBaby click here: http://www.cdbaby.com/Artist/Heathendom.

My recommended tracks from:
Heathendom
-A Poem By Rote
-War & Pain
-Haunted In Hell (this is a 19 minute progressive, 2-part, epic masterpiece!)

Nescience
-Nescience
-Burn
-Mirror of Memories
-Scenes of Old (this one is more thrash-inspired)
-Haunted In Hell (same as on their self-titled release, available on this release as well!)