Judas Priest: The 70's

Post #206
It is clear that heavy metal music has its roots in the late-60's and early-70's. However, it is truly the 70's where the course of metal music as a genre found its footing and began to branch down different paths of development. One of the most crucial bands in establishing metal's stronghold is Judas Priest. They had two very talented guitarists in KK Downing and Glen Tipton, but even more significant was their one-of-a-kind vocalist- Rob Halford. Halford had a vocal range of about 4 octaves, which is among the widest vocal ranges in metal music. Very early in their career, Judas Priest began making the most of these coveted talents, and helped launch a new era for the heavy metal genre which is still going strong today.

Priest released their debut album, Rocka Rolla, in 1974. Compared to most of the rest of their albums, this one is a little rough around the edges. Perhaps a bit before Priest would truly find their signature sound, this is still an interesting recording. Here you'll find a band existing somewhere between psychedelic rock and the heavy-blues rock from which metal would soon sprout.

My top picks from Rocka Rolla:
-One for the Road
-Rocka Rolla
-Cheater (on the compact disc this is part of medley also featuring- Winter, Deep Freeze, and Winter Retreat)
-Diamonds and Rust (an early version of their Joan Baez cover that would also appear on the Sin After Sin album a few years later, this song was added as a bonus track after remastering in the 80's)

With their second album in '76, Priest delivered a true classic. Sad Wings of Destiny still stands the test of time as a crucial album in the early landscape of heavy metal. No less than 4 tracks from this album have become concert set-list favorites over the years: 'Victim of Changes', 'The Ripper', 'Tyrant' and 'Genocide'. This is the album where Judas Priest really began to find their signature sound.

Sad Wings of Destiny is more than a keystone album for Judas Priest, it has been a major influence to the entire heavy metal genre since its release. Many of today's prominent metal bands still refer to Sad Wings when recounting the days when they discovered a love for heavy music. Particularly thrash metal owes a great deal to this album, for it's where many of the key elements of thrash were first revealed.

My picks from Sad Wings...
-Victim of Changes
-The Ripper
-Deceiver
-Tyrant
-Genocide
-Island of Domination

1977's Sin After Sin was Priest's first album for CBS Records (which would morph into Columbia Records in due time). With support from the record company Judas Priest by now were able to tour in the US, broadening their audience significantly. More importantly, they were carving their own niche as songwriters and had truly begun to pave a significant road for Heavy Metal music. One fact that illustrates this album's significance might be that thrash titan Slayer chose to cover the song 'Dissident Aggressor' from this album. It remains a concert favorite for both bands.

My Picks from Sin After Sin:
-Sinner
-Diamonds and Rust (The famous Joan Baez cover)
-Starbreaker
-Last Rose of Summer (This song shows the softer side of Judas Priest as well as any song they've ever written. Clean, melodic ballad showcases Halford's true vocal talent as well. Perhaps the last song by Priest that really sounds more psychedelic rock than metal.)
-Dissident Aggressor

BONUS TRACKS:
-Race With the Devil
-Jawbreaker (Live)

Stained Class was released in 1978, and this is the album I have come to call my favorite among Judas Priest's work from the 70's. I rank it among my top-5 favorite albums from Priest overall. This album again features many songs that get repeated inclusion in concert set lists and compilation albums. 'Exciter' and 'Stained Class' being the heavier offerings on this album, but to my ears, the most memorable song here is 'Beyond the Realms of Death'.

'Beyond the Realms of Death' was the most unique song Priest had recorded by this point in their career. Primarily driven by melodic guitar phrases, and a somber minor-key tone, the chorus kicks into a heavy riff, and Halford's voice converts from soft vocal melodies to more aggressive screams. This song has even been referenced by Metallica as being a key to their pursuit of the clean/heavy/clean song structures they developed in the mid-80's.

Other notes of significance on Stained Class: It is the first album to feature Les Binks on drums. Binks also is credited as co-writing the aforementioned 'Beyond the Realms of Death' with Halford. It is also the first album to feature the now-classic Judas Priest logo. The album artwork (by Roslav Szaybo), seems to depict the famous head-injury suffered by Phineas Gage in 1848, although the angle of the rod-through-the-head is a little bit off.

My top picks from Stained Class:
-Exciter
-Stained Class
-Saints in Hell
-Beyond the Realms of Death (DO NOT MISS THIS ONE!)
-Heroes End

BONUS TRACKS:
-Fire Burns Below
-Better By You, Better Than Me (Live)

1979 brought Hell Bent for Leather to the metal masses. Judas Priest were growing in popularity with each release at this point. This album is a great example of the band maintaining their grip with accessible, radio-friendly heavy rock, as it contains a few songs that are best described as anthems, while still pushing the edge of heavy metal. 'Rock Forever' and 'Take on the World' are those anthem type of songs. Conversely they still had several songs on the cutting edge of heavy metal, like 'Hell Bent for Leather' and 'Running Wild'. Keep in mind, however, that this was the 1970's, and the only way to achieve success was through radio air-play, so music couldn't get as aggressive as it can today and still survive.

Overall, the direction of this album would be right on par with much of the material Priest would write throughout the 80's, making Hell Bent for Leather a true classic of heavy metal.



My favorite tracks from Hell Bent for Leather:
-Delivering the Goods
-Rock Forever
-Hell Bent for Leather
-The Green Manalishi (With the Two-Pronged Crown) (A cover of a Fleetwood Mac song, and Priest make this one their own as well as they did on 'Diamonds and Rust')
-Running Wild
-Before the Dawn (Again, I recommend the softest track on the album. I can't help enjoying a band that maintains their versatility through the years.)

BONUS TRACKS:
-Fight For Your Life
-Riding on the Wind (Live)

By 1979, Judas Priest had been touring the world with growing success for well over 2 years. They chose to close the decade with a live album documenting their well earned status as one of the best new heavy metal bands in the world. Unleashed in the East was that album, and it remains one of the best live albums by any metal band in the 70's.

When the Judas Priest albums were remastered in 2001, 4 bonus tracks were adding to this release. Also recorded live from the same tour, these extra tracks make this album and even greater masterpiece.

My top picks from Unleashed in the East:
-Exciter
-Sinner
-The Ripper
-The Green Manalishi (With the Two-Pronged Crown)
-Genocide

BONUS TRACKS:
-Rock Forever
-Delivering the Goods
-Hell Bent for Leather
-Starbreaker

Remembering Jon Lord (1941-2012)

Post # 205

Today, the world of Heavy Metal music, Rock N' Roll, and music in general, lost an iconic musician. Jon Lord, keyboardist for Deep Purple, passed away. He was 71 years old. His career in Heavy Metal spanned nearly 5 decades. The music he created or helped create is beyond measure. The bands he played in, or worked with, all feel this loss today. Rest In Peace Jon Lord. Fans of your music everywhere are thinking of you today!


Here's one of my favorite songs featuring Jon Lord on keyboards:


Who Cares-Out Of My Mind

Heavy Metal Madness-Second Round Summary: Part 1

Post #204
With the second round of Heavy Metal Madness, the choices got tougher, the votes got closer, and all-in-all the excitement multiplied as more bands were ultimately eliminated from this competition. As the polls closed, 8 more bands got one step closer to the championship of heavy metal.

Here's how the first half of the 'Sweet Sixteen' was decided...
In the Thrash/Classic Metal bracket:
METALLICA beat ANTHRAX 39-7
and IRON MAIDEN beat PANTERA 30-15
This sets up next month's match between Maiden and Metallica, one that I think might just determine the eventual champion, but the only way to know for sure is to keep voting...

In the Alternative/Grunge bracket:
FOO FIGHTERS beat RAGE AGAINST THE MACHINE 23-18
and SOUNDGARDEN upset PEARL JAM 23-20
...Two very tight matches right up to the end!

In the Classic Rock bracket:
BLACK SABBATH dominated RUSH 35-9
and KISS (#5 seed) beat MOTLEY CRUE (#4 seed) 30-12, a close match in seeding, but an upset nonetheless.

And finally, in the Hardcore/ Death Metal bracket:
DISTURBED beat NIGHTWISH 26-12
and AVENGED SEVENFOLD beat KILLSWITCH ENGAGE 25-13


The second half of this round is underway now! Keep the votes coming, and check back later to see who has advanced.
The first half of the Sweet Sixteen round begins on July 20th!

My suggested songs for those bands eliminated this past month:
Anthrax-I'm Alive
Pantera-Mouth For War
Rage Against The Machine-Bulls on Parade
Pearl Jam-Spin the Black Circle
Rush-Working Man
Motley Crue-Dr. Feelgood
Nightwish-Nemo
Killswitch Engage-The End Of Heartache

Happy Headbanging...

Rock Bottom Remainders at ALA 2012 (6-23-12)

"It's Past Our Bedtime Tour" -Anaheim, CA
Post #203
On June 23rd, 2012, at the ALA (American Library Association) Annual Convention, history was made as a unique band gave their final performance together. The band was called The Rock Bottom Remainders. Their legacy: the greatest rock band ever comprised of best-selling authors. (Perhaps it's more accurate to call them the greatest writers ever to form a rock band?) You heard me right: award-winning, best-selling, chart-topping novelists, writers, authors who at one point in the early 90's were drawn together and asked if they would play in a rock band together. The idea was proposed by publishing consultant/author Kathi Kamen Goldmark, and embraced with enthusiasm by the various writers whom thence became a part-time rock band. They have played together over the years, raising money for charity. Tonight was no exception, benefiting the ProQuest Scholarship, though this night was to be their final performance together.

The evening began to unfold as hundreds of librarians and convention-goers proceeded to the top floor of the convention center. We gathered in the main ballroom, where the stage was set to capture a farewell performance unlike any other in the history of Rock n' Roll music. I count myself as VERY lucky to have been among this crowd, another of a long list of benefits of being married to a wonderful librarian. My legs may have been tired from hours of walking the convention floor and gathering books, but I still chose the standing-room-only portion of the floor for this one-of-a-kind concert. Dozens of other librarians were packing the open space right up to the front of the stage. Whatever stereotypes you may have in your mind about librarians, forget 'em. This crowd was buzzing with energy, and you could feel the anticipation building up by the second. This crowd knew the significance of the rock show that was about to unfold.

The first band member/author to come onto the stage was Roy Blount, Jr. He then introduced the rest of the band, one by one. Over a dozen well-known authors and 2 professional musicians (Josh Kelly on drums and Erasmo Paolo on saxophone) filled the stage and prepared to rock the joint. In no particular order, the authors in the band were (to the best of my recollection) as follows: Stephen King, Mitch Albom, Greg Iles, Ridley Pearson, Dave Barry, Sam Barry, James McBride, Amy Tan, Matt Groening, Mary Karr, and Scott Turow. Other guest singers and musicians included Janine Sabino, Kathleen Enright, and Rock And Roll Hall Of Fame inductee and original member of The Byrds- Roger McGuinn. (There may have been a couple other Remainders or Remainderettes whose names I can't recall, and if so, I apologize. By all means feel free to notify me of any other names I should mention. This blog is not beyond the power of revision ;-) )

Josh Kelly clicked his drum sticks in the air to set the tempo, and the next thing we knew the House was A-Rockin' (literally and figuratively, as they opened with Stevie Ray Vaughan's '89 classic, 'The House Is Rockin'). The crowd got into it immediately, jumping up and down in time with the music. The opening song was an all-out jam. Everybody on-stage was singing the lyrics and/or playing their instruments and giving their all. Next they hit us with an appropriate, literary-themed song- 'Paperback Writer' by The Beatles. Again this song was vocals-by-committee, as various authors took turns singing the verses, while numerous background singers filled in all of The Beatles' catchy, 4-part harmonies right on cue.

The Rock Bottom Remainders carried on with their set, giving us a healthy dose of rock n' roll classics from the 50's and 60's. They had a great sense of showmanship as well. Every member of the band had a unique personality, and a charisma they brought to the stage. Many times they incorporated a skit to act out some of the lyrical themes. Scott Turow was introduced while wearing a hot-pink wig. Roy Blount Jr. was sporting a Blues Brothers-esque black hat and shades. Stephen King was wearing a Boston Red Sox t-shirt ('Of course!' I thought to myself.), but a closed look revealed it to be a Gilead Gunslingers shirt, in the style of the Red Sox logo. Also, where the baseball team's logo has a pair of red socks, in their place were two revolvers (with sandalwood grips I'm willing to bet). Matt Groening periodically put on rubber Halloween masks of various Simpson's characters. But perhaps the most flamboyant stage presence was owned by Amy Tan.

Amy was The Rock Bottom Remainders' answer for Lady Gaga. She wore a blond wig, leopard-print blouse, tight leather pants, leather boots, and a pair of shades. She had been limited to background and harmony vocals for the first several songs, but when her turn came for lead vocals, she took her stage presence to a whole new level. She went back-stage for a second, and then returned with a leather whip and tight leopard print pants. Then the descending bass-line of a familiar song began to play... Next thing we knew, Amy Tan was playing the roll of a dominatrix while she sang lead vocals on the Nancy Sinatra hit 'These Boots Are Made for Walkin''. This was far from what one might expect from the author of The Joy Luck Club, but it just goes to show there is often more to a writer than meets the eye! My favorite part was when she turned to the crowd and said, "You've heard of '50 Shades of Grey'? This is 100 shades of TAN!", and then proceeded to whip the back-sides of all the guys in the band.

A few songs later the concert shifted gears again, as Roger McGuinn of The Byrds came onto the stage and joined the band for a portion of the show. They played several classic Byrds hits back-to-back, and it almost felt like we were at a real Byrds concert for a while. Eventually Roger did step back from the spotlight and the revolving door for lead vocalist resumed. He left the stage for quite a while, but would return later in the evening, helping out on rhythm or lead guitar as needed.

Another highlight of the evening was when Mitch Albom got out from behind his keyboard to play the role of front man. What's more is that he chose to do so in a memorable fashion. He had gone back stage and returned after a wardrobe change. He reemerged as 'The King'. That's right, he did his best Elvis Presley impersonation, complete with the Elvis wig and sunglasses! They played a couple Elvis tunes, 'Teddy Bear' and 'Jailhouse Rock'. Mitch hammed it up for all he was worth, and the crowd loved it. His wife, Janine Sabino, one of the Remainderettes, even joined him for a couple duets.

Scott Turow took the lead vocals on the Del Shannon hit 'Runaway'. On this performance Turow proved to be perhaps the best singer among this group of writers, hitting the high notes with surprising accuracy. This was followed by a 'comic relief' segment of the show, as Greg Iles played his original song 'I'm a Big Best-Seller, Baby'- a classic blues song with a tongue-in-cheek criticism of some fads and trends in the industry. The '50 Shades of Gray vs 100 shades of Tan' joke was reiterated here. After that, Amy Tan again took the lead on the song 'Leader of the Pack'. Her husband, Lou DeMattei, even came onto the stage, dressed like a biker, to play the role opposite Tan as 'The Leader of the Pack'. Dave Barry followed this up with his original, humorous song 'Proofreading Woman', which again featured many jokes and witty lyrics about the publishing industry.

The band was really having a great fun-loving time upon the stage, giving this final performance their best effort. They were living it up to the fullest. However the mood was about to turn to a more serious subject...

I previously mentioned that the whole idea for the Rock Bottom Remainders came from Kathi Kamen Goldmark. She was a participating member of the band as well. However, Kathi died of breast cancer on May 24, 2012, a mere month before this performance. It was a devastating blow to everyone in the band. It was a more significant tragedy for Sam Barry, her husband, and Dave Barry, her brother-in-law. Kathi herself was really looking forward to this show. She wanted it to happen. To honor her, and pay tribute to her and her vision, The Remainders pulled together and saw this event through to the end.

At this point of the show, Dave explained this situation to the audience. He got choked up toward the end of his speech, and we in the audience could see the tears welling up in his eyes. I thought back to some close friends and family members of my own who have had breast cancer recently. Some have beaten the disease, and others lost their battle with it. I tried to imagine what it must be like to perform live music in front of an audience, so close on the heels of a personal tragedy so close to the heart. I couldn't do it. I can't imagine how Sam and Dave managed to pull it off. I looked up at both of them and felt an intense mix of respect, sympathy, and admiration for them both. The entire show was dedicated to her memory. They even brought out Kathi's guitar and propped it up on the front of the stage, so a part of her was up there with them.

Roger McGuinn stepped to the mic, and they proceeded to play 'Turn! Turn! Turn!', a song whose lyrics speak for themselves. They played a couple other songs that were more serious and a bit somber at times. You could feel the emotion throughout the room as writers, librarians, readers, musicians, fans and friends all turned their minds towards a truly wonderful and inspiring woman with the remarkable vision to pull this band together. Sam Barry and Dave Barry put so much heart into their playing on harmonica and guitar, respectively, that they would fit in perfectly with another Sam and Dave of more musical significance. This was a performance of a lifetime. A crowning achievement, and a fitting farewell to a most unique collection of talent.

To remember the kind of humor that Kathi had, Kathy Enright performed a song that they had written together, 'Older Than Him (The Slut Song)'. This was a truly funny, slow-tempo, country-rock number about an older woman in a bar lusting over an attractive younger man. It roused plenty of laughter from the audience, and you could feel the mood lightening once again.

Then, to really get things back on track, Stephen King led the way on vocals for the up-beat 'Bird's the Word'. It was a surreal experience to look up at the master of horror, the writer of some of my favorite books, stuttering out the lyrics, "Papa-oom-mow-mow, oom mow mow..." A little out of context maybe, but it put smiles back on everyone's faces. After that song they took a bow and strolled off the stage...

...But true to form, just like real rock stars, they came back out for an encore a few minutes later. They gave us 3 more songs to rock out to: 'Wild Thing', 'Louie, Louie', and 'GLORIA'. I'll never forget how full of energy the room was. The crowd was possessed with a hybrid of Rock N' Roll Pneumonia and Boogie-Woogie-Blues. The floor was vibrating with the rhythm of several hundred librarians hopping up and down to the music. I let loose myself and did a bit of headbanging (go figure, huh?)

When the final song came to a close, they gave the audience a final farewell. Guitar picks, drum sticks, frisbees and kazoos were tossed into the crowd. Then it was time. It was, after all, 'Past Their Bedtime'. The Rock Bottom Remainders walked off the stage for the last time. 'Just a cover band?' you may ask. Not like this. Never before. And perhaps never again... Writers; sharing a love of music, sharing in friendship among themselves, sharing a love for reading, all in the name of Rock and Roll.

On behalf of the attendees of ALA 2012, we thank you all!

The Band:

Mitch Albom-Keyboards/Vocals

Dave Barry-Lead Guitar/Vocals

Sam Barry-Harmonica/Vocals

Roy Blount, Jr.-MC/Backing Vocals

Lou DeMattei-'Leader of the Pack'

Kathleen Enright-Vocals

Matt Groening-Cowbell/Backing Vocals

Greg Iles-Lead Guitar/Vocals
Mary Karr-Backing Vocals

Josh Kelly-Drums/Vocals

Stephen King-Rhythm Guitar/Vocals

James McBride-Sax/Vocals

Roger McGuinn-Guitar/Vocals

Erasmo Paolo-Sax/Vocals

Ridley Pearson-Bass/Vocals

Janine Sabino-Tambourine/Vocals

Amy Tan-Whip/Vocals

Scott Turow-Vocals

The Setlist (Lead vocalist indicated where appropriate):
(You'll find a couple of the songs below are linked to youtube videos that have been uploaded since the show. These will give you a glimpse of this historic performance. The event sponsors did have cameras filming the show, so perhaps there will be an official DVD coming soon...?  We can hope!)

-The House is Rockin'

-Paperback Writer

-634-5789 (Janine Sabino)

-Midnight Hour

-Hey Little Girl (King)

-Believer (Albom/Sabino)

-These Boots Are Made for Walkin' (Tan)

-Hey Baby (I Wanna Know If You'll Be My Girl) (Turow)

-Suzie Q (King)

-Mr. Tambourine Man (McGuinn)

-I'll Feel a Whole Lot Better (McGuinn)

-My Back Pages (McGuinn)

-You Ain't Going Nowhere (Pearson/McGuinn)

-Rock This Town (Paolo)

-Nobody's Fault But Mine (S. Barry)

-(Let Me Be Your) Teddy Bear (Albom-as Elvis)

-Jailhouse Rock (Albom-as Elvis)

-Da Doo Ron Ron (Sabino)

-Runaway (Turow)

-I'm a Big Best-Seller, Baby (Iles)

-Leader of the Pack (Tan)

-Proofreading Woman (D. Barry)

-Muskrat Sally (Kelly)

-Turn! Turn! Turn! (McGuinn)

-May The Road Rise (McGuinn)

-Older Than Him (The Slut Song) (Kathi and Kathy's song-Kathleen Enright)

-Keep Me In Your Heart (Pearson)

-Bird's the Word (Sufrin' Bird) (King)

-------

(encore)

-Wild Thing (Turow)

-Louie, Louie

-Gloria (D. Barry)

Recommended Reading:

Mitch Albom-The Five People You Meet in Heaven, Tuesdays with Morrie

Dave Barry-Dave Barry Turns 50, Peter and the Starcatchers (w/ Ridley Pearson)

Sam Barry-How to Play the Harmonica: and Other Life Lessons

Roy Blount, Jr.-Roy Blount's Book of Southern Humor

Matt Groening-The Huge Book of Hell

Greg Iles-The Devil's Punchbowl
Mary Karr-The Liars' Club

Stephen King-The Dark Tower Series, The Stand, Needful Things

James McBride-The Color of Water

Ridley Pearson-The Art of Deception, Peter and the Starcatchers (w/ Dave Barry)

Amy Tan-The Joy Luck Club, Saving Fish from Drowning

Scott Turow-Presumed Innocent, The Burden of Proof

I collected many photos throughout the show, and there were too many good ones to post them all within the review above. So here's a special treat: a slide-show of all the extra pics! Check out all the different shots of The Rock Bottom Remainders!