Tuesday, May 30, 2017

Remembering Chris Cornell: 1964-2017

Post #349

It is never easy to hear about a beloved musician passing away. On Wednesday, May 17th, we lost Chris Cornell, the founder and front-man of Soundgarden, and Audioslave, when he tragically took his own life. I heard the news the following morning.

I was shocked. I was in disbelief. I couldn't believe it fully until seeing a credible report with my own eyes. I still didn't want to believe it. I still don't...

How do I say what Chris Cornell's music meant to me? I was not a fan of grunge when it first came along. As an MTV kid, I wasn't into their music videos, and I didn't buy into the Seattle grunge bands nor the alternative rock scene until years later. But the seed that planted an appreciation for it in my mind wasn't from Pearl Jam, or Alice In Chains, or even Nirvana. There was no video that sold me. No radio single that caught my ear. Rather it was an automatic 'selection of the month' shipment from one of the mail-order music clubs I forgot to respond to (I think it was Columbia House, but it could have been BMG- remember those?) It was Badmotorfinger- by Soundgarden. I might have heard 'Jesus Christ Pose' once or twice, and not particularly cared for it, but the opening track, 'Rusty Cage' had me hooked.

Badmotorfinger grew on me as a whole. After just a couple listens through it, front-to-back, I had numerous favorite songs, and had become fan enough that when SuperUNKNOWN hit a couple years later I was ready for it, and would follow Soundgarden, and Chris Cornell, through all his other projects and bands from that point on. His songwriting and vocal abilities were so unique, so versatile, and appealed to the fan in me that appreciated heavy music, strange music, acoustic music, melodic music, grungy music... and now that voice has been silenced.

Remember Chris Cornell through his music, celebrate his life through his lyrics, and reach out to support those in your own life who may need help, who may be struggling with depression, or any challenging issue, health related or otherwise. Life is precious.

Suicide prevention Hotline: 1-800-273-8255

I for one will miss his voice, and mourn the loss of all his words and songs that will forever remain unwritten.

My own memorial playlist for the late legend, Chris Cornell:
-Burden In My Hand
-Hunger Strike
-Mood for Trouble
-The Day I Tried to Live
-Room a Thousand Years Wide
-Doesn't Remind Me
-Can't Change Me (acoustic-live)
-Fell On Black Days
-Mind Riot
-Original Fire
-Loud Love
-Like A Stone
-Rusty Cage
-I Am The Highway
-Thank You (Live)
-Nothing Left to Say But Goodbye
-Say Hello 2 Heaven

...and since I can't stop there, here are a few rarities and covers Chris Cornell has done recently that are fitting testament to his captivating vocal abilities.

Remember Chris Cornell...

Wednesday, May 17, 2017

Proudest Angel Hit the South Side, Saturday, May 20th , 2017

Post 348

This Saturday, May 20th, 2017, Independent Band of the Year PROUDEST ANGEL return to the Chicago local scene, performing an all-ages show along with Johnny and the Rocks and Sinister Fate at Damien's Den, 13445 S Brainard Ave, on Chicago's south side!

Cover is only $6!!

Show Starts at 9pm...

Don't miss it!

Thursday, January 19, 2017

Proudest Angel-The Soundtrack to Your Next Bad Decision (2016)

Post # 347

Proudest Angel had been broken up for over a decade before the paths of former members would meander back together and bring some new faces into the fold. Enter 2016, and a reunion of sorts for this underground heavy rock band has commenced. This time around, who knows where it will go, but so far they already have a collection of new recordings in the books: The Soundtrack to Your Next Bad Decision.

Their style is a raw and heavy, riff-driven fusion of alt-rock and metal. Vocalist Bill Paimon was previously in Sutured Psyche, another band I've reviewed on this blog before. His vocal style remains consistent from that band to this, but the instrumentation and direction of the band is heavier. For all intents and purposes it is fair to think of Proudest Angel as a 'heavier Sutured Psyche', for those familiar with them. However, Proudest Angel's original iteration predates Sutured Psyche's. Their early recordings can be found on their CD, Skeletons From the Closet. I may review those songs later on, but now is a time to focus on their new recording.

With The Soundtrack To Your Next Bad Decision you get a good sampling of what Proudest Angel have to offer. For those who know them from their early days, the sounds are familiar. They primarily deliver some heavy riffs in a mid-tempo song structure. They do include a couple songs (Anathema, Canto Dolor) with melodic clean guitars, or slower tempos, but they always come back to the faster heavier formula in the end. They even have an unusual choice of a cover song; Lady Gaga's 'I Like It Rough'.

The Soundtrack To Your Next Bad Decision should be enough to remind the old fans of what Proudest Angel were, as well as showing them what they have now become. As they continue to play shows in the Chicagoland area and write new songs it will be interesting to see where they go from here.

Track Listing:
Civilly Feral- This one is their first single, and music video, in support of this release. A groove-heavy headbangin' tune.

Starlight- One of my favorite tracks. Fast, heavy, and they mix things up with a cool breakdown segment.

Anathema-Although still electric and heavy, this song had melodic riffs that show off Proudest Angel's versatile side. Long-time fans may be reminded of their song 'Wayfaring Stranger'...

Shoulda Known Better-This one is a straight-up rock and roller of a song!

Canto Dolor-This one is closer to a true ballad than Proudest Angel have come before. Clean guitars, and slower tempos let you know this band has a little more to offer...

I Like It Rough (Lady Gaga cover)-Here they take Gaga's pop-song and reinvent it with a heavy metal palate. The fact that it is sung by a guy make all the lyrical innuendo more curious...

We Had Fun-This one is a slower-tempo grinder of a track for the most part but  there is a point about 3 minutes in where they skip over to a double-time feel.

This release is also available at: