A cold and snowy February calls for me to review Iced Earth once again! This time, I am taking a long-overdue look at the dawn of the Stu Block era. Stu Block had been the vocalist for Into Eternity prior to joining Iced Earth in 2011 to replace long-time singer Matt Barlow. From all I have read on Barlow's departure, between the official Iced Earth website, facebook page, and wikipedia articles on the issue, his departure from the band was amicable and seemed to be an honest retirement. (Barlow has since started a band called Ashes of Ares).
Consistent with Iced Earth's recent trends, the album's title track opens with a slow anthem-like riff, and power chords that ring long and heavy. Then Stu Block unleashes a devilish scream, the tempo is kicked into high-speed, and a classic Iced Earth thrash-fest is underway...
While the title track 'Dystopia' thrashes along with the best Iced Earth classics, I cannot help be notice the uncanny, seamless transitions from deep growls to high falsettos that Block displays throughout the song. At some point this talent surpasses simple emulation of Barlow's vocal style, and approaches a 'King-Diamond-esque' mastery of range.
'Anthem' is the next track, and the clean guitar intro which transitions to a low-tempo, minor-key riff shows the listener that Iced Earth will again have all their talents on display for this album. The lyrics are a social criticism with a call for resilience among society's downtrodden classes. The plight of the homeless and poverty-stricken are present throughout. Never a band to shy away from social or political issues, it is clear that Iced Earth are also out to make some statements on this album.
Iced Earth show you their full repertoire on Dystopia, with songs that push the upper limits of intensity like 'Boiling Point' and 'Days of Rage', but balanced out by softer and slower tracks like 'Anguish of Youth' and 'End of Innocence'. Not only are the riffs impressive, but the lead guitar solos are better on this album than the past several Iced Earth albums.
-Boiling Point (Intense! A really fast thrasher where Block's vocals really are more comparable to Ripper Owens than Matt Barlow)
-Anguish of Youth (A slower tempo ballad with the clean-heavy-clean transitions that Iced Earth fans are accustomed to)
-V (Heavy groove. Jam-riffing, V is for Victory! "Minds awakened, rid your life of tyranny" Excellent guitar solo!!)
-Dark City (Clean intro again, vocals again are acrobatic- again reminded of KD)
-End of Innocence (A sad ballad, and true masterpiece of a song. Inspired by the illness of Stu's mother. Lead guitars add melody, acoustic guitars add texture, yet choruses are heavy. The theme throughout is about finding inspiration.)
Block's deep growl is in constant contrast with his upper-range screams and mid-range melodic voice, which simultaneously surprises listeners with unexpected twists and serves the needs of each given song and just the right moments. As I mentioned before, he fits perfectly as a replacement of Matt Barlow, yet also draws comparisons to Tim Owens and even the legendary King Diamond.
'The Culling' is one of the songs that seems like a direct continuation of the concepts from the Something Wicked albums. Mainly a mid-tempo grinder of a song, it also contains a breakdown segment and an impressive guitar solo.
'If I Could See You' is a sad and touching Iced Earth ballad of loss. In much the same way as 'Watching Over Me' primarily featured clean guitar melodies and a minor key tone to convey the emotions of loss and grieving, this song displays the softer side of Iced Earth and is more about losing an inspiring role model than a friend or lover.
The Highwayman is a cover of the Jimmy Webb song made famous by the country super-group The Highwaymen. Here, in similar fashion, Iced Earth performs it as a quartet with different verses sang by Jon Schaffer, Stu Block and guest vocals by Volbeat's Michael Poulsen and Symphony X's Russell Allen. The presence of such big names in the current metal scene make this the best collaboration of talent in the genre since the Big Four of thrash metal performed the song 'Am I Evil?' together on stage in Sofia, Bulgaria.
-Plagues of Babylon
-Among the Living Dead
-If I Could See You