OZZY OSBOURNE-SCREAM

Post #109
Ozzy Osbourne has had one of the longest running careers in Heavy Metal music. Over the years he has been fortunate to be a part of several legendary partnerships in music. He was a founding member of Black Sabbath along with Geezer Butler, Bill Ward, and guitar legend Tony Iommi; resurrected his career as a solo artist with guitar legend Randy Rhoads; carried on his solo career after Rhoads' tragic death with the likes of Jake E Lee and Zakk Wylde. Now, 41 years after his debut with Black Sabbath, Ozzy finds himself in a new collaborating partnership, as Firewind guitarist Gus G hops onto Ozzy's never-ending crazy train of a career.

Earlier this year, Ozzy released his latest album, 'Scream', with massive and unique promotion. The track, 'Let me Hear You Scream', was featured in an episode of CSI. (http://www.youtube.com/watch?v=ZaE7gTLk__A) Ozzy himself helped attempt to set a Guiness World record for longest scream by an arena crowd (http://www.youtube.com/watch?v=qvXRQjkX5rw&NR=1), and also promoted his album by joking with visitors of a wax museum while posing as an exhibit of himself (http://www.youtube.com/watch?v=sY9PeJOZpeA).

Once all the hoopla was done and 'Scream' itself hit the streets, Ozzy's fans finally got to hear the beginning of the latest chapter of Ozzy's career. The buzz generated beforehand was enough to push it to #4 on the Billboard charts, making it the 7th top-ten album for Ozzy. Scream is deserving of this status as well, with songs that deliver all the key elements of a great Ozzy album: heavy riffs, a variety of tempos, great guitar soloing (thanks Gus!), a couple semi-biographical ballads, and even a bit of neo-classical inspiration can be heard.

I only wish Gus G had had a larger hand in the writing of this album . We'll have to wait for Ozzy's next album to hear his contributions in that respect. For the most part, this album was co-written by Ozzy Osbourne and his producer Kevin Churko (and Adam Wakeman on a few tracks), prior to Gus G's joining the band. Churko also received co-writing credit on Ozzy's previous album, Black Rain, perhaps explaining how the new album remains so consistent.

My top picks from SCREAM:
-Let It Die (a slow-tempo, heavy number. Classic Ozzy!)
-Let Me Hear You Scream (first single, and a real thrasher for Ozzy)
-Soul Sucker
-Life Won't Wait (One of the ballads, Ozzy hasn't lost his touch with this kind of number either)
-Diggin' Me Down (Here's my personal favorite! Melodic guitar intro brings back memories of Randy Rhoads' neo-classical days!)
-I Want It More

AC/DC-Highway to Hell

Post #108 Poll Winner: Favorite AC/DC album from the 70's.

AC/DC, one of the preeminent influences of hard rock & heavy metal music, established themselves in the mid-70's. Taking a strong inspiration from early blues & rock and roll bands from the 50's and early 60's, and mixing it with the harder-edged sound of other early-70's era bands like Led Zeppelin and The Who, they quickly became a major force of 70's heavy metal.

With each album, their popularity grew. Within a couple years they were touring outside their native Australia, and had become a global phenomenon. Their music appealed to a whole generation of teens, who craved this old-school rock & roll with a dark side. Their singles became top hits on almost every continent.

They closed out the decade with their best album yet, 'Highway To Hell'. Though they were still a band on the rise, this would be their last album with Bon Scott as their singer. He tragically died in early 1980 at the age of 33 after passing out after a night of heavy drinking. The legacy he left behind is one of the most memorable in heavy-rock music. Your choice of Highway To Hell as your favorite AC/DC album from the 70's is further evidence of that legacy.

Now, here are my favorite tracks I recommend from this album:

-Highway To Hell

-Girls Got Rhythym

-Shot Down In Flames

-If You Want Blood (You've Got It!)

-Night Prowler

Second Annual Myspace-Bands Poll

Post #107
In the world of online music and streaming mp3's websites like myspce.com have become more than simply a way to get your music heard; they've become the standard for much of the music industry. Not only will you find your buddy's garage band from around the block with their own myspace-page, but every major recording artist now has at least a couple songs available for free sampling at myspace.com.

To celebrate the spirit of independent music, the Happy Headbanger's blog is once again featuring seven of these up-and-coming bands in a reader's poll. To allow you faithful readers sufficient time to hear a little of each of these bands, and decide on a favorite, this poll will have an extended voting window! Typically I utilize a 30-day polling window, but for this one you'll get no less than 45 days. Use them wisely!

Now here are your contestants
DEADMANSWAKE
Female-fronted metal with lots of balls!
Check out the song "Amy"
http://www.myspace.com/deadmanswakechicago

SMASH CORPS
Great heavy-metal with a thrash-hardcore vibe!
Check out "The Machine"
http://www.myspace.com/smashcorps

THIRD LAW OF MOTION
"For every action, there is an equal and opposite reaction."
Post-grunge inspired alternative rock, with mainstream-friendly hooks.
Check out "Golden Age"
http://www.myspace.com/thirdlawofmotion

KILLCODE
A great New York-based band blending a classic-metal sound with a bit of southern rock.
Check out "Truce"
http://www.myspace.com/killcode

SKANK
A little melody, a bunch of hard-core riffs, and of course a little sleazy. These guys rock!
Check out "No Love Lost"
http://www.myspace.com/skankmusic

INN CINEMA
These guys can be intense with a furious metalcore edge, then lighten up to show a melodic side.
Check out "Save Me"
http://www.myspace.com/inncinema

SUTURED PSYCHE
"Music for Bastards!"
Melodic hard rock, mixed with a bit of alternative metal, and catchy grooves in every song!
Check out "The Leap"
http://www.myspace.com/suturedpsyche

Keep in mind, the winner of this poll will get a full-length review within a few weeks of when the poll closes. Not to mention more exposure to the online community, and circulation of their myspace page!

Enjoy!

Iron Maiden: The Final Frontier Tour (w/ Dream Theater) 7-18-10

Post #106
On July 18, 2010, I attended my first-ever Iron Maiden concert. Long overdue, I know, but better late than never, and well worth the wait! Here's my review of the show...
On a warm July afternoon I made my way to the First Midwest Bank Ampitheater once again to catch what promised to be a memorable heavy metal concert: Iron Maiden, with Dream Theater as the opening band. This was an excellent combination, I felt, since I'm also big fan of Dream Theater. I could not wait for the show to start.

I didn't have long to wait, as I barely made it to the venue before showtime. I had just found my section and was making my way to my seat when stage lights came on, and John Myung of Dream Theater emerged from the smoke that had filled the stage, playing one of his classic, melodic bass-guitar riffs. The song was 'As I Am', and Dream Theater's set was off to a powerful start!

For a band known for their epic-progressive, and very, very long songs I was a bit concerned that Dream Theater wouldn't get to play too many numbers as an opening act. I was pleasantly surprised, however, as it became apparent they were focusing on their heavier (and for the most part shorter songs). Admittedly, the thrashy side of Dream Theater has always been my favorite. They were able to squeeze in 6 selected songs, closing with their classic 'Pull Me Under'.

Then there was a bit of a break as the stage crew went to work preparing for Maiden. I took the opportunity to head out to the vendors, grab myself a tour T-shirt, a drink, and return to my seat. It also made for less waiting time. I was ready for Iron Maiden.

They opened their set with 'The Wicker Man' from their reunion album Brave New World. A great thrash number to get the crowd pumped off the bat. When the vocals kicked in, Bruce sprinted from the back-stage area, hurdled a row of monitors, and began belting out the song with such energy as I had rarely seen in any rock show! He was sporting a simple black T-shirt which read 'PSYCH WARD' across the front, and his energy continued as such for most of the show.

I was a little surprised how heavily Iron Maiden favored their newer material (i.e. since their reunion in 2000). They did play a few older tracks, but easily two-thirds of their set was selected from the albums Brave New World, Dance of Death, or A Matter of Life and Death. This was fine by me, as I've become a huge fan of these albums. I think Iron Maiden are arguably better now than they have ever been.

One of my favorite moments from the show was when Bruce took a few moments between songs to remember the late Ronnie James Dio. He shared a little story with us of a time he was on tour with Dio and heard him complaining about the song 'Rainbow In The Dark'. Ronnie had said that he hated that song, that he was sick of it. "Well, why do you play it all the time then?" asked Bruce. "Because the fans want to hear it." Dio replied simply. And that was what was always important to Ronnie James Dio, giving the fans what they wanted to hear. For a moment I wondered if they were going to play 'Rainbow in the Dark'. Though they did not, they did dedicated the next song to Ronnie, 'Blood Brothers'.

Maiden continued through a fantastic set, as I've mentioned focusing mainly on their newest 3 albums prior to The Final Frontier. A giant Eddie came out a stalked the stage during 'Iron Maiden', dueling with Janick Gers for a bit. Then when it seemed the show was over, they came back out for an encore, and played three of the greatest classics: 'The Number of the Beast', 'Hallowed Be Thy Name', and 'Running Free'.

The set list from this memorable night of heavy metal legends:

Dream Theater

-As I Am

-A Rite of Passage

-Home

-Constant Motion

-Panic Attack

-Pull Me Under

Iron Maiden

-The Wicker Man

-Ghost of the Navigator

-Wrathchild

-El Dorado (the only song from their new album, which had not yet been released.)

-Dance of Death

-The Reincarnation of Benjamin Breeg

-These Colours Don't Run

-Blood Brothers

-Wildest Dreams

-No More Lies

-Brave New World

-Fear of the Dark

-Iron Maiden

-The Number of the Beast

-Hallowed Be Thy Name

-Running Free

A Bargain Hunter's Finds (Part 2, Creeping Death EP, Etc...)

Post #105
I'll take a moment here to re-focus on my primary means of reviewing so much essential heavy music: bargain hunting! I've said before that if it were not for inexpensive means of hearing music (online sampling via band-websites & online radio, redeeming coupons at major retailers, 2nd-hand music acquisitions like garage sales & used music retailers, and of course visiting the Audio-Visual section of my local library), I would not have the chance to hear much of the music I've already shared with you.

Now let me document a few of my recent finds, beginning with one that is a rare find indeed, for it is no longer in print: Metallica's early EP, 'Creeping Death' (which includes the original 'Garage Days Revisited' and the single for 'Jump In The Fire'). [$7.98 (+10% off) $7.18 final price]
What an excellent find this was! It is probably the only time I've ever even seen this recording in CD format, and now I'm lucky enough to own it. This item was found at one of the Half Price Books locations I frequent, as well as the next item...

Dream Theater-Greatest Hit (...and 21 Other Pretty Cool Songs) [2-disc compilation: $7.98 (+10% off) $7.18 final price]
This one I had already checked out from my library a couple times before I found it at Half Price Books. I was in no hurry to buy it right away, since I have all of Dream Theater's albums from which the songs are selected. However I should point out that 3 of the tracks are remixes (the 3 taken from the Images and Words album), and I wanted to have these alternate versions in my personal collection. Was it necessary for Dream Theater to remix these songs? That is perhaps up to the listener to decide. I, for one, appreciate the new mixes. They sound more crisp than the originals.

From Best Buy: Apocalyptica-7th Symphony [Special Edition w/ Live DVD, 2010] $14.99 + portion of $10 Reward Zone certificate: $6.65 final price!
With Apocalyptica, I've been a fan since their first CD, 'Plays Metallica by Four Cellos'. I've tried to keep up with each release over the years, so naturally I was looking to get this one as well. Having $10 worth of Best Buy Reward Zone coupons burning a hole in my email helped make it an easy decision.

From Half Price Books (during the 20% off Everything Labor Day Weekend sale)
Bloomingdale, IL location: Killswitch Engage-As Daylight Dies (Special Edition w/ bonus tracks and DVD w/ 3 videos & 'making of' documentaries, '07) [$9.98 -20% off = $7.98 final price]
Shadows Fall-Threads of Life ('07) [$7.98 -20% off = $6.38 final price]
Geoff Tate (Self-titled solo recording from lead singer of Queensryche, '02) [$5.98 -20% off = $4.78 final price]
Nevermore-dreaming Neon black ('99) [$5.98-20% off = $4.78 final price]

Palatine, IL location: Soundgarden-Louder Than Love ('89) [$5.98-20% off = $4.78 final price]
Unearth-Our Days of Eulogy ('04 w/ bonus disc of 9 other Eulogy Records recording artists) [$2.00 clearance -20% off = $1.60 final price]
Mushroomhead-Savior Sorrow ('06) [$2.00 clearance -20% off = $1.60 final price]
Machine Head-The Burning Red ('99) [$2.00 clearance -20% off = $1.60 final price]
Flyleaf (Self-titled debut '07) [$2.00 clearance -20% off = $1.60 final price]

To summarize this successful scavenging expedition, over the course of 2 weekends;
Total CD count: 13 (plus 1 bonus CD and 2 bonus DVDs)
Grand total: $56.11
Average cost per CD: $4.32

These are the kinds of deals I'm accustomed to finding. I admit that occasionally there is an essential new release that I will sometimes bring myself to spend $12-$15 on, so that I can have it to enjoy right away. However these cases are relatively few and far between for me. Over the course of the last couple years of reading other music-lovers' blogs, I've found a few who like to document their collection-building shopping sprees in a similar fashion as I just did. Often times, the amount of money they spend makes my budget-conscious mind cringe. Perhaps this will open their eyes to the kinds of bargains that are out there to be had.

For these purchases I didn't even need to utilize the internet, where great prices on music are often found from people selling their CDs second-hand. I simply browsed my local used-music retailers, and even there I'm always sure to peruse the clearance section. Also, I took advantage of rewards programs available at primary retailers. It's fun being rewarded for being a frequent shopper.

So go out there and find yourself some great heavy metal music, but also keep in mind that these kinds of bargains are probably easier to find than you think. It just takes a little dillegence and sometimes a bit of patience.

http://www.halfpricebooks.com/
http://www.bestbuy.com/

Alice Cooper-School's Out

Post #104 Poll Winner: Favorite Alice Cooper album from the 70's.
The 1970's were a formative era for the genre of heavy metal. Several hard rock bands from this time would become primary influences for almost every heavy metal band that has folowed since. This was a time of pioneers. Rock musicians who began making music in the late 60's would slowly begin to emerge from the haze of psychadelic rock and hone in on other elements of style. One such artist would be Alice Cooper.

Alice Cooper became famous early in their career for the theatrical elements of their stage show. Hence, Alice became known as the founder of 'Shock-Rock' (dubbed for the shocking elements of their music and performance). At about the same time, the band started producing some genuine hit songs that helped define the generation.

School's Out is perhaps the best example of Alice Cooper's rock-anthem capabilities. To this day the title track to this classic album is cranked up to 10 for many high-schoolers during summer break. This song gave a generation of teenagers a rally cry in the 70's.

You chose this album as your favorite from Alice in the 70's,
My picks from School's Out:
-School's Out (of course!)
-My Stars
-Public Animal #9

Sutured Psyche Rocks Chicago's I AM Fest (7-23-10)

Post #103

SUTURED PSYCHE

On the local, independent rock music scene in Chicago, there has been a series of 'Battle of the Bands' style shows this summer. One band featured in this competition has been on my radar for a while now: Sutured Psyche. On Friday, July 23rd I was finally able to make it to one of their shows, and it was well worth the wait.

As part of the Independent Arts & Music Fest (I AM Fest), they played a show at the Elbo Room on Lincoln Avenue in Chicago. It was a small venue, in the basement below the bar, and a little short on air-conditioning. All things considered, the crowd was still ready to rock, and with potent enthusiasm. The crowd seemed to be perpetually revolving, as people kept retreating to the upstairs area where the AC was working much better. There also seemed to be a trend of each band pulling in its own crowd that didn't always stick around for the whole evening.

For those who stuck it out for the penultimate band, Sutured Psyche, they were rewarded with a great set of in-you-face hard-rock music! As the individual members ran a final sound-check with the venue sound-staff I was getting psyched (pun intended!) Suddenly, it was SHOW TIME!
They hit the ground running, opening their set with "Clarity", a song that quickly showcased much of the band's signature sound. Hard rock riffs are the driving force behind Sutured Psyche's music. Catchy melodies are abundant throughout as well. Clean-guitar progressions balance a heavy rhythm guitar as a tight drum & bass guitar combo holds everything together. However, the most unique element of this band may be their lead vocalist. Singer William Pekoc IV has a deep, throaty voice that reverberates throughout the room. This facet of the band's formula is the reason behind a few hinted comparisons to Tool.
Pekoc's commanding vocal delivery, along with the band's slick image (dressed in matching black suits-at least at the start of the show), and stage craft make for a highly entertaining rock show. Follow this band with their myspace page: http://www.myspace.com/suturedpsyche, and try to catch one of their shows on Chicago's north-side. You won't be dissapointed.

For now I'll leave you with the set list from this show:

Clarity

Invocation

50th Percentile

Luck of the Draw

Much More Than I've Lost

Inherit the Earth (A great fist-pumping anthem, with crowd-participation opportunities!)

Trickster

The Leap (this one has quickly become a favorite track of mine, having sampled it frequently on their myspace webpage)

Teen Angst (a rare cover-originally by Cracker)

Anything

[Sutured Psyche will also be featured soon in this blog's 2nd annual Myspace/Independent bands' reader's poll. Coming feature in October this year...]

KISS-Alive 35 at the United Center, Chicago

Post #102

[This is a concert review from the show on 11-6-2009 at the United Center, Chicago, IL]

KISS. Living Legends of rock n' roll, and my long-time favorite band, KISS are back on the road in support of their come-back album Sonic Boom. Last fall I made it to one of their shows. They had taken a few years off recently, so it was a nice opportunity to see this band that I had thought were retired.

Granted this is not the original line-up for KISS, despite the deceiving use of the original make-up designs. Eric Singer (who had been in KISS from '92-'96) is the drummer behind the 'Cat-Man' make-up, while Tommy Thayer (who had been a collaborating musician for the band, off and on, since the late 80's) is now the full-time guitarist as the 'Space-Man' (note I didn't say 'Space Ace'). Regardless, this is a very talented line-up, and they proved more than capable of putting on a phenomenal vintage-style KISS show!

For this show I brought a friend along, who I had just introduced to the music of KISS a couple months before. This friend was a fan of several similar-sounding bands from the 70's and 80's, like AC/DC & Guns N' Roses, so it was somewhat easy to convince him to come along.

Not to be overlooked, the opening band was Buckcherry. Often compared to Guns N' Roses and other late-80's glam-bands, Buckcherry had gotten the show off & rolling with a great attitude of straight forward, hard-edged rock n' roll. They included several of their well-known hits, like 'Lit Up', and 'Crazy Bitch', but also included a great cover of Deep Purple's 'Highway Star'. Though we were a little late and didn't catch the beginning of their set, what I heard was enough to sway me further into their fandom. Shortly after the tour, Buckcherry also released their first live CD, Live & Loud, which closely mirrored the set they played on this night.

However, the best was yet to come, as the crowd now sat in eager anticipation of KISS...

Eventually the familiar intro boomed out to the audience, "All right Chicago! You wanted the best, you got the best! The hottest band in the world, KISS!!!" The curtain fell as the band kicked off the set with 'Deuce'. The show continued from there, with song selection heavily favoring their 70's material. Understandably so, given this was a tour honoring the 35th Anniversary of the album KISS: ALIVE! They didn't play the entire track list from ALIVE!

That would have been very cool, but also taken up almost all of their set-time. Enough of their early classics were included that you could tell they were focusing on delivering a performance true to that classic, first live album of theirs.

They did include a few songs from the 80's and one, 'Modern Day Delilah', from their new album Sonic Boom. After Gene's bass solo, during which he spat blood & 'flew' up to the rafters on his demon's wings, the band played 'I Love It Loud'. Each member took a solo at some point during the show. Eric Singer's drum-solo was played while the drum kit was lifted and spun around. Tommy Thayer shot several fireworks off the neck of his guitar during his guitar solo, and Paul Stanley played a few extended riffs as part of a solo, before soaring out to a central platform among the crowd along a gondola cable, where he then performed another song up close with a part of the audience who previously had a poorer view of the show.
Top notch pyrotechnics we employed during the encore, and tons of confetti was spewed across the crowd during 'Rock & Roll All Nite'. All-in-all a great KISS show. As good as any of the other times I'd seen them (I may review those shows later on as well). As a long-time fan, I'm glad they are touring again. Hopefully, if they continue touring, they'll plan a tour that would include a better-rounded set-list. I feel they have too many good albums that are always under-represented in their choice of set-lists. Time will tell.
Last but not least, one of the coolest features of this concert was the fact that you could buy THAT NIGHT'S PERFORMANCE, on CD or mp3, immediately after the show! I took advantage of this opportunity and got a copy. Amazing how far technology has come! Sure enough, I had the first half of the concert in my hand when I left the show, the other half was sent to me in the mail after redeeming an online voucher.
From this night of rock & roll music from Buckcherry & KISS here's a rough list of the songs:
Buckcherry
-Tired of You
-Next 2 You
-Out of Line
-Broken Glass
-Lit Up
-Rescue Me
-Highway Star
-Everything
-Sorry
-Crazy Bitch

KISS
-Deuce
-Strutter
-Let Me Go, Rock N' Roll
-Hotter Than Hell
-Shock Me
-Calling Dr. Love
-Modern Day Delilah
-Cold Gin
-Parasite
-100,000 Years
-I Love It Loud
-Black Diamond
-Rock And Roll All Nite
--encores--
Shout It Out Loud
Lick It Up
Love Gun (w/ part of 'Stairway To Heaven' as an intro)
Detroit Rock City

RUSH 2112- A masterful dystopian concept album.

Post #101 Poll Winner: Favorite RUSH album from the 70's.
Hailing from Canada, Rush firmly established themselves as one of hard-rock's most creative bands in the mid-70's. During this era, they became master musicians of progressive rock, composing multi-part, epic rock songs that often took up half the playing time of some of their albums. The album that might be the best example of this style: 2112. For the second time, you have picked Rush's 2112 album as a favorite in reader's poll.

In the mid 70's Rush had really hit their stride. Geddy Lee, Alex Lifeson, & Neil Pert had become a formidable songwriting team. Neil Pert cites his inspiration for the lyrical themes as Ayn Rand, for the philosophies of objectivism & individualism in her novels. Rush had borrowed inspiration from Rand previously with the song "Anthem", inspired by Ayn Rand's novel of the same title.
The story of 2112 is a futuristic vision of society strictly controlled by the Solar Federation. The track 'Discovery' (as part of the epic title track), depicts the discovery of an ancient musical instrument- a guitar. The unnamed protagonist, whose eyes we see the world through, brings this object & the discovery of music before the Priests of the Temples of Syrinx. It is here that the conflict of ideals manifests and is narrated throughout the rest of the album.


Once again let me mention that 2112 is a true masterpiece of 70's hard rock. To be properly appreciated, you must hear it in its entirety. Here is the track listing:
-2112: I-Overture, II-The Temples of Syrinx, III-Discovery, IV-Presentation, V-Oracle: The Dream, VI-Soliloquy, VII-Grand Finale
-A Passage to Bangkok
-Twilight Zone
-Lessons
-Tears
-Something for Nothing

Bullet For My Valentine

Post #100
More and more bands are emerging in the heavy metal scene with clear influences from classic early 80's metal bands apparent in their music. Bullet For My Valentine, from Wales-UK, are one them. They've been thrown into the 'melodic metalcore' sub-genre since they first came out, largely due to their use of hard-core screaming vocals, but have said in interviews that they're a hard-rock band with metal influences.

However you wish to categorize them, they clearly have influences from thrash, hard-core, and melodic rock in their sound. The main appeal for me is the thrash sound in their guitar-work, as well as the mixed vocal style, which is always switching back and forth between melodic and screaming vocals. They can play a mean guitar solo too, and I've said several times that great guitar solos are the best way to win me over with heavy metal. Bullet For My Valentine have done so.

Here's a look at their career so far, album by album:

Hand Of Blood ('05) [in UK: Bullet For My Valentine ('04)]

Their debut EP gives a good introduction to this band's sound & formula: fast-tempo thrash inspired riffs, therapeutic rage-filled screaming vocals contrasted with melodic vocal passages, and talented guitar solos in abundance.

My picks:

-4 Words (To Choke Upon) (a new addition on the US release, or a bonus track on the UK version)

-Hand Of Blood (this one plays out like the band's theme-song as the lyrics depict a doomed relationship ending in bullets & bloodshed)

-Just Another Star

The Poison ('06) SPECIAL EDITION

On their first full-length album Bullet For My Valentine deliver a much more polished effort. In addition to the inclusion of several tracks from the Hand Of Blood EP, they have a few power-ballads on this album, as well as more thrashers. However, the BFMV power-ballad almost always has a dark side, and shreds with ferocious intensity before it's done. The 'Metalcore' element of harsh, screamed vocals has a strong presence on this album, though it is broken up nicely by the frequent use of melodic singing too. There is even a guest appearance by Apocalyptica on the intro track (which they also co-wrote). What's more is that The Poison is available as a special edition with bonus tracks and a DVD of some early concert footage & videos.

My picks:

-Intro (featuring Apocalyptica)

-Her Voice Resides

-Tears Don't Fall (perhaps their best-known song, a killer power-ballad!)

-Suffocating Under Words of Sorrow (What Can I Do)

-Cries In Vain

-Spit You Out (great fast-paced, thrash-influenced song)

-The End (Such a dark, evil sounding song. Probably my favorite. Melodic for the most part, but trashes with true fury at well-timed moments!)

---Bonus Tracks---

-7 Days

-Welcome Home (Sanitarium) (An excellent cover of the classic Metallica song!)

-Tears Don't Fall (Acoustic version- just as good as the original, just a different flavor...)

Scream Aim Fire ('08)

On this album, Bullet For My Valentine seem to smooth out the rough edges of their formula a little more. The result is that this album seems more accessible to mainstream acceptance. By this time, the band had really begun to ascend the ranks within the metal scene, earning a main-stage slot on Mayhem Fest '09 among other popular metal tours in the US & Europe. Though the songs may seem a bit formula-driven, they still get the shred out like no other. My only point of criticism is that I feel the ending of the last track, Forever & Always (a power-ballad), seems to drag on way too long. Overall, this album maybe shows off more of their 'thrash' side than their 'metalcore' sound on the previous works...

My picks:

-Scream Aim Fire

-Eye Of The Storm (This one really pushes the tempo about as fast as I've heard from this band. Enough so that I would compare it to songs by DragonForce!)

-Hearts Burst Into Fire (probably the best power ballad on this album...)

-Waking the Demon

-Say Goodnight (best mix of melody & thrash, clean & heavy, on this album)

-End of Days

FEVER (2010)
Bullet For My Valentine's newest album again sees them perfecting their niche within heavy metal even more. You can hear them keeping elements from all their previous works alive in their music, although I would probably say it's closest in sound & style to the Scream Aim Fire album. All the facets of their music you may have grown to love by now are present on this album, and in perfect balance. Their masterful power-ballads keep this album highly accessible for the mainstream-metal audience, but they also make sure to incorporate enough of the metalcore-screaming vocals to keep that portion of their following faithful as well.

My picks:

-Your Betrayal

-Fever

-A Place Where You Belong (this is one of the ballads, and my favorite one on this album)

-Pleasure and Pain

-Begging For Mercy

Led Zeppelin-Physical Graffiti

Post #99 Poll Winner: What's your favorite Led Zeppelin album ('69-'79)?
Led Zeppelin were one of the defining hard rock bands of the 70's. Rising from the ashes of The Yardbirds, Jimmy Page enlisted lead singer Robert Plant, and the formula for this band was established. They gave rock n' roll the heaviest sound it had known, yet still wrote memorable songs year after year.

They were versatile in their songcraft as well, mixing acoustic and electric guitars, keyboards, and a variety of song styles over the course of their career. Perhaps no album of theirs captured as much of their versatility as Physical Graffiti did. It was their only double-length studio album. That in itself is testament to their prolific creativity. However, the volume of material included on this release does not subtract from the listening experience. Rather, it makes for the most all-encompasing album from one of the greatest rock bands of all time.

Zeppelin's Physical Graffiti contains many well known classic songs, like the epic 'Kashmir' and the up-tempo 'Trampled Under Foot', but it is probably treasured as much for several of its unreleased songs as for those big hits. Songs like 'The Rover' capture their well-known, heavy-riff, blues-inspired rock; while others like 'In The Light' showcase the best elements of their psychadelic rock sound. As you listen, each song sounds clearly different from the previous. You can't help but respect Led Zeppelin, as they not only make each song work, but make it memorable and lure you to crave more...


My top picks from this epic masterpiece:
-The Rover
-Houses of the Holy
-Trampled Under Foot
-Kashmir
-In The Light
-Ten Years Gone
-Boogie With Stu

Jackie Bergjans of Strych9hollow proves she really plays guitar

Post #98

Here's a little preview of one of the hottest independent metal bands from the underground scene in St. Louis, MO. Before long I'll be posting a full review of their debut album, "Dying for a Dream". For now, enjoy this clip.

You can also sample some of their music at:

www.myspace.com/Strych9hollow

(They were also included in the 'myspace-bands readers poll' from last fall.)

Five Finger Death Punch-War Is The Answer

Post #97
Here's a newer band I recently discovered thanks to my local library: Five Finger Death Punch. I had heard of this band before, from one or two songs on the radio, but never bothered to check out one of their albums until now. I think I may have shied away from them before because they have 'Death' in their name and I thought 'death-metal'. But I had heard their cover of Pantera's 'A New Level' on a free CD from Metal Hammer magazine and liked it, so when I was browsing through my library's AV section and saw their album, War Is The Answer, I decided to give it a listen. I am sure glad that I did!

These guys are a great metal band! The influence from Pantera is evident in their sound. At their most intense moments they could be categorized as 'hard-core' metal, but they incorporate a number of melodic elements, both in vocals and guitar-tone, enough that some of their songs could fit comfortably in the 'alternative' genre. War Is The Answer is this band's second album, and it proves to be a great headbanger's listening experience.

As soon as the first track began to play the immediate comparison I made in my mind was to Stone Sour. The guitar tones, bass drums, deep-growled vocals. Trust me, if you've enjoyed Stone Sour from one of my older posts, then you'll want to check out Five Finger Death Punch. Also in similar fashion to Stone Sour, 5FDP quickly throw in some clean melodies as the album plays on.

Their debut single, 'Hard to See', which I think I had heard once or twice on my local rock radio station, is a perfect example of the current hard rock/metal mainstream trend. Primarily melodic vocals are supported by a heavy groove maintained by the rhythm section, and a great tone is brought to the song by way of the lead guitar interspersed throughout.

This band is no one-trick-pony, as the styles of songs present on this album cover a wide spectrum from post-grunge acoustic ballad, to heavy instrumental, to heavy groove-metal thrasher. Not to be overlooked, they also include another cover song, Bad Company's namesake song, which they manage to make their own without much tampering of the song's original arrangement.

My top picks from Five Finger Death Punch's War Is The Answer (2009):
-Dying Breed
-Hard to See
-No One Gets Left Behind (perhaps the best anti-war metal song since Black Sabbath's War Pigs!)
-Far From Home (a surprisingly soft song for this band: acoustic guitar and strings arrangements give this one a very full sound)
-Canto 34 (an instrumental track, several good lead guitar solos and a melodic break at the end as it fades out)
-Bad Company (cover of the classic rock hit by the band of the same name, probably the biggest 'must-hear' on this album!)

Visit their website:
http://www.fivefingerdeathpunch.com/

or hear some samples on myspace:
http://www.myspace.com/ffdp